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Mozart : Requiem (Orchestre national de France / James Gaffigan)
James Gaffigan dirige l'Orchestre national de France et le Choeur de Radio France dans le Requiem en ré mineur K.626 de Wolfgang Amadeus Mozart, avec la soprano Marita Solberg, la mezzo-soprano Karine Deshayes, le ténor Joseph Kaiser, et la basse Alexander Vinogradov. Concert enregistré le 29 juin 2017 en direct de la basilique de Saint-Denis dans le cadre du Festival de Saint-Denis.
#Mozart #MozartRequiem #OrchestreNationalDeFrance
00:00 - Début du concert
01:19 - I. Introïtus
02:00 - Requiem
05:46 - II. Kyrie
08:13 - III. Sequentia. Dies Irae
10:09 - Tuba mirum
13:29 - Rex tremendae
15:31 - Recordare
20:27 - Confutatis
22:49 - Lacrimosa
25:52 - IV. Offertorium Domine Jesu Hostias
32:52 - V. Sanctus
34:30 - VI. Benedictus
38:52 - VII. Agnus Dei
41:45 - VIII. Communio - Lux Aeterna
A p...
published: 02 Mar 2018
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Mozart - Requiem in D minor (Complete/Full) [HD]
Like,subscribe and share for more :)
published: 10 Oct 2015
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Mozart - Requiem
Requiem Mass in D Minor
Wolfgang Amadeus Mozart's final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the passing of his young wife Anna. Mozart began his final composition in Prague, suffering from an undetermined illness, which would eventually take his life and rob him of the chance to see the completion of his Magnum Opus. After Mozart's death, his understudy 'Franz Xaver Süssmayr', at the behest of Mozart's wife, completed the missing parts of the Requiem.
Requiem Mass was first performed on January 2, 1793, in a private concert for the benefit of Mozart's grieving wife, Constanze Mozart.
The Following are the lyrics, translated from their Original Latin
Grant them eternal rest, Lord,
and let perpetual light shine ...
published: 05 Mar 2009
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Mozart – Requiem (with subtitles in 20 languages – English, Español, Português, Türkçe, 中文 ... )
info https://gr.afit.pl
Turn on subtitles: Catalan, Český, Deutsch, English, Español, Français, עברי, Italiano, 日本語, 한국어, Latin, Nederlands (by Kris Van Hoof), Magyar, Polski, Português, Русский, Tiếng Việt, Türkçe (by Faik Uyanık), Українська, 中文.
0:00 Introitus: Requiem aeternam
4:49 Kyrie eleison
Sequenz
7:14 Dies irae
8:56 Tuba mirum
12:40 Rex tremendae
15:00 Recordare
20:40 Confutatis
22:59 Lacrimosa
Offertorium
26:30 Domine Jesu
29:54 Versus: Hostias et preces
33:54 Sanctus
35:39 Benedictus
40:55 Agnus Dei
43:56 Communio: Lux aeterna
49:30 Credits
Wolfgang Amadeus Mozart – Requiem KV 626
Bartosz Michałowski – conductor
Sylwia Olszyńska – soprano
Agata Schmidt – mezzo-soprano
Karol Kozłowski – tenor
Adam Kutny – baritone
Polish Sinfonia Iuventus Orchestra
Warsaw Philharmonic Cho...
published: 07 Apr 2020
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Mozart: Requiem – Lacrimosa | SO & GC | CM Berlin
Symphony Orchestra & Grand Choir of the Collegium Musicum Berlin
Conductor: Donka Miteva
Wolfgang A. Mozart: Requiem – Lacrimosa & Amen
newly edited and completed by *Michael Ostrzyga* ( @MichaelOstrzyga )
Recorded on July 1, 2022 at Berlin Philharmonic, Germany
In the 1960s, a sketch by Mozart of an Amen Fugue surfaced. It can be assumed that it was intended for the Requiem when Mozart wrote it down: Not only is there a sketch for the Rex tremendae and the Magic Flute on the same page, written like the Requiem in 1791, but there are also striking compositional references to the Introit. Moreover, Mozart did not work on any other work during this period in which the word "Amen" appears. The arrangement of the reeds in Mozart's manuscript, as has sometimes been pointed out, does indeed le...
published: 22 Apr 2023
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Wolfgang Amadeus Mozart - Requiem
Requiem.
I. Introitus
00:00 Requiem aeternam
II. Kyrie
04:41 Kyrie
III. Sequentia
07:08 Dies irae
09:10 Tuba mirum
12:27 Rex tremendae
14:19 Recordare
19:18 Confutatis
21:48 Lacrymosa
IV. Offertorium
24:56 Domine Jesu
28:36 Hostias
V. Sanctus
32:30 Sanctus
VI. Benedictus
33:59 Benedictus
VII. Agnus Dei
38:39 Agnus Dei
VIII. Communio
42:02 Lux aeterna
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Art: "Destruction" by Thomas Cole
-
I don't own any of the works in this video, I'm just an enthousiast.
-
If you appreciate the content and would like to support the channel, here is the link. You totally don't have to, I appreciate you in anyway for being here!
Patreon: https://www.patreon.com/temporaclassicalmusic
published: 13 Dec 2022
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Dies Irae - Mozart - Requiem - Claudio Abbado
Full concert here: http://ow.ly/Ywsex
Subscribe to our channel for more videos http://ow.ly/ugONZ
Wolfgang Amadeus Mozart - Requiem - 3. Dies Irae
The Berliner Philharmoniker conducted by Claudio Abbado
with
the Swedish Radio Choir singer
Recorded at Salzburger Dom Cathedral, Salzburg, Austria in 1999
© EuroArts / VIDEAL/brilliant media
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A rare and exclusive selection of concerts, ballets, operas, documentaries, master classes, behind-t...
published: 22 Dec 2012
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W. A. MOZART · Requiem, d-Moll, KV 626 · Philharmonie Salzburg · Elisabeth Fuchs
W. A. MOZART · Requiem, d-Moll, KV 626
Maria Bernius · Sopran
Katrin Auzinger · Alt
Paul Schweinester · Tenor
Johannes Wimmer · Bass
Elisabeth Fuchs · Dirigentin
Chor der Philharmonie Salzburg
Philharmonie Salzburg
April 2023
Großer Saal Mozarteum, Salzburg
published: 03 Sep 2023
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Messa di Requiem in Re- K 626 di W. A. Mozart al Tempio della Consolazione Todi - Accademia Perusina
00:00:01 Benvenuto al pubblico di Nicoletta portavoce della Accademia Perusina e ringraziamenti alla diocesi di Orvieto-Todi 00:01:00 Saluto Leonardo Mallozzi Etab Todi https://etabtodi.it/contenuti/341467/tempio-consolazione-informazioni-utili 00:02:00 Saluto del Sindaco di Todi Antonio Ruggiano https://www.comune.todi.pg.it/it 00:05:00 presentazione dello sponsor https://mediazionelinguisticaperugia.it/ 00:05:35 Presentazione del Requiem in Re minore K 626 di Wolfgang Amadeus Mozart e Franz Xaver Süßmayr
Orchestra dell’Accademia Perusina composta da 30 strumentisti
Direttore d’Orchestra M° Fabio Berellini - Organo Eugenio Becchetti
Solisti Mezzo Soprano Elisabetta Pallucchi - Soprano Francesca Bruni - Basso Ferruccio Finetti -
Tenore Nicola Di Filippo - Coro dell’Accademia Perusina htt...
published: 10 Mar 2024
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Wolfgang Amadeus Mozart - Requiem in D minor, K. 626
- Composer: Wolfgang Amadeus Mozart (27 January 1756 -- 5 December 1791)
- Orchestra: English Baroque Soloists
- Choir: Monteverdi Choir
- Conductor: John Eliot Gardiner
- Soloists: Barbara Bonney (soprano), Anne Sofie von Otter (contralto), Hans Peter Blochwitz (tenor), Willard White (bass)
- Year of recording: 1990
Requiem in D minor for soloists, chorus & orchestra, K. 626, written in 1791.
This version is the Süssmayr completion of the Requiem, with the following structure:
00:00 - I. Introitus: Requiem aeternam (choir and soprano solo)
04:44 - II. Kyrie eleison (choir)
----- III. Sequentia: (text based on sections of the Dies Irae)
07:15 - Dies irae (choir)
09:01 - Tuba mirum (soprano, contralto, tenor and bass solo)
12:09 - Rex tremendae majestatis (choir)
14:20 - Recordare, Jesu p...
published: 26 Oct 2015
50:49
Mozart : Requiem (Orchestre national de France / James Gaffigan)
James Gaffigan dirige l'Orchestre national de France et le Choeur de Radio France dans le Requiem en ré mineur K.626 de Wolfgang Amadeus Mozart, avec la soprano...
James Gaffigan dirige l'Orchestre national de France et le Choeur de Radio France dans le Requiem en ré mineur K.626 de Wolfgang Amadeus Mozart, avec la soprano Marita Solberg, la mezzo-soprano Karine Deshayes, le ténor Joseph Kaiser, et la basse Alexander Vinogradov. Concert enregistré le 29 juin 2017 en direct de la basilique de Saint-Denis dans le cadre du Festival de Saint-Denis.
#Mozart #MozartRequiem #OrchestreNationalDeFrance
00:00 - Début du concert
01:19 - I. Introïtus
02:00 - Requiem
05:46 - II. Kyrie
08:13 - III. Sequentia. Dies Irae
10:09 - Tuba mirum
13:29 - Rex tremendae
15:31 - Recordare
20:27 - Confutatis
22:49 - Lacrimosa
25:52 - IV. Offertorium Domine Jesu Hostias
32:52 - V. Sanctus
34:30 - VI. Benedictus
38:52 - VII. Agnus Dei
41:45 - VIII. Communio - Lux Aeterna
A propos de l’œuvre :
Mozart croule sous les problèmes quand il entreprend l’écriture de son Requiem en 1791. Accablé par les dettes, le maestro viennois est aussi gravement malade. Pour ajouter à son malheur, sa musique ne séduit plus, la fréquentation de ses concerts diminue.
On ne compte plus les légendes qui entourent le contexte de création de l’œuvre. Mais parmi elles, une vérité se dessine. Le commanditaire de l’œuvre serait le comte von Walsegg, désireux d’obtenir une messe des morts pour célébrer le souvenir de son épouse, tout juste disparue. La demande est faite à Mozart de manière anonyme. Le comte souhaitait en effet se faire passer pour l'auteur de l’œuvre, une supercherie dont il était familier !
Épuisé, Mozart s’éteint le 5 décembre 1791 à l'âge de 35 ans. S’il a probablement composé entièrement les deux premières parties de l’œuvre, l’Introïtus et le Kyrie, le reste a été repris en main par l’un de ses élèves, Franz-Xaver Süssmayr, à partir d’esquisses plus ou moins détaillées.
Pour aller plus loin : https://www.youtube.com/watch?v=pnRWtHCk-n0
Distribution :
Marita Solberg, soprano
Karine Deshayes, mezzo-soprano
Joseph Kaiser, ténor
Alexander Vinogradov, basse
Chœur de Radio France,
Nicolas Fink, chef de chœur
Orchestre National de France,
James Gaffigan, direction
A propos du compositeur Wolfgang Amadeus Mozart (1756 - 1791) :
Wolfgang Amadeus Mozart est l’un des compositeurs les plus importants de l’histoire de la musique occidentale, et la figure majeure de la période du classicisme. Il fait partie avec Haydn et Beethoven de la « triade classique viennoise », incarnant l’un des trois maîtres dont l’influence a été la plus considérable sur les générations suivantes de compositeurs. Virtuose du clavecin et du violon, il connaît un succès précoce et une carrière fulgurante, en portant toutes les formes musicales existantes à un état d’accomplissement inégalé.
-----------------------
⭐ NOUVEAU ⭐ comprendre et explorer la musique avec la nouvelle chaîne YouTube de France Musique : https://www.youtube.com/@francemusique
🔔 Pensez à vous abonner pour découvrir d’autres vidéos France Musique !
https://www.youtube.com/channel/UCiPYZkZeNbYTQZKNMlB0Gsw?sub_confirmation=1
Découvrez tout France Musique :
► Site internet - https://www.radiofrance.fr/francemusique
► Espace Concerts - https://www.radiofrance.fr/concerts
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Suivez-nous sur les réseaux sociaux :
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https://wn.com/Mozart_Requiem_(Orchestre_National_De_France_James_Gaffigan)
James Gaffigan dirige l'Orchestre national de France et le Choeur de Radio France dans le Requiem en ré mineur K.626 de Wolfgang Amadeus Mozart, avec la soprano Marita Solberg, la mezzo-soprano Karine Deshayes, le ténor Joseph Kaiser, et la basse Alexander Vinogradov. Concert enregistré le 29 juin 2017 en direct de la basilique de Saint-Denis dans le cadre du Festival de Saint-Denis.
#Mozart #MozartRequiem #OrchestreNationalDeFrance
00:00 - Début du concert
01:19 - I. Introïtus
02:00 - Requiem
05:46 - II. Kyrie
08:13 - III. Sequentia. Dies Irae
10:09 - Tuba mirum
13:29 - Rex tremendae
15:31 - Recordare
20:27 - Confutatis
22:49 - Lacrimosa
25:52 - IV. Offertorium Domine Jesu Hostias
32:52 - V. Sanctus
34:30 - VI. Benedictus
38:52 - VII. Agnus Dei
41:45 - VIII. Communio - Lux Aeterna
A propos de l’œuvre :
Mozart croule sous les problèmes quand il entreprend l’écriture de son Requiem en 1791. Accablé par les dettes, le maestro viennois est aussi gravement malade. Pour ajouter à son malheur, sa musique ne séduit plus, la fréquentation de ses concerts diminue.
On ne compte plus les légendes qui entourent le contexte de création de l’œuvre. Mais parmi elles, une vérité se dessine. Le commanditaire de l’œuvre serait le comte von Walsegg, désireux d’obtenir une messe des morts pour célébrer le souvenir de son épouse, tout juste disparue. La demande est faite à Mozart de manière anonyme. Le comte souhaitait en effet se faire passer pour l'auteur de l’œuvre, une supercherie dont il était familier !
Épuisé, Mozart s’éteint le 5 décembre 1791 à l'âge de 35 ans. S’il a probablement composé entièrement les deux premières parties de l’œuvre, l’Introïtus et le Kyrie, le reste a été repris en main par l’un de ses élèves, Franz-Xaver Süssmayr, à partir d’esquisses plus ou moins détaillées.
Pour aller plus loin : https://www.youtube.com/watch?v=pnRWtHCk-n0
Distribution :
Marita Solberg, soprano
Karine Deshayes, mezzo-soprano
Joseph Kaiser, ténor
Alexander Vinogradov, basse
Chœur de Radio France,
Nicolas Fink, chef de chœur
Orchestre National de France,
James Gaffigan, direction
A propos du compositeur Wolfgang Amadeus Mozart (1756 - 1791) :
Wolfgang Amadeus Mozart est l’un des compositeurs les plus importants de l’histoire de la musique occidentale, et la figure majeure de la période du classicisme. Il fait partie avec Haydn et Beethoven de la « triade classique viennoise », incarnant l’un des trois maîtres dont l’influence a été la plus considérable sur les générations suivantes de compositeurs. Virtuose du clavecin et du violon, il connaît un succès précoce et une carrière fulgurante, en portant toutes les formes musicales existantes à un état d’accomplissement inégalé.
-----------------------
⭐ NOUVEAU ⭐ comprendre et explorer la musique avec la nouvelle chaîne YouTube de France Musique : https://www.youtube.com/@francemusique
🔔 Pensez à vous abonner pour découvrir d’autres vidéos France Musique !
https://www.youtube.com/channel/UCiPYZkZeNbYTQZKNMlB0Gsw?sub_confirmation=1
Découvrez tout France Musique :
► Site internet - https://www.radiofrance.fr/francemusique
► Espace Concerts - https://www.radiofrance.fr/concerts
► Newsletters - https://www.radiofrance.fr/francemusique/newsletters
Suivez-nous sur les réseaux sociaux :
► Facebook - https://facebook.com/FranceMusique
► Twitter - https://twitter.com/francemusique?lang=fr
► Instagram - https://www.instagram.com/francemusique/?hl=fr
► TikTok - https://www.tiktok.com/@francemusique?lang=fr
- published: 02 Mar 2018
- views: 11592404
8:54
Mozart - Requiem
Requiem Mass in D Minor
Wolfgang Amadeus Mozart's final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the...
Requiem Mass in D Minor
Wolfgang Amadeus Mozart's final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the passing of his young wife Anna. Mozart began his final composition in Prague, suffering from an undetermined illness, which would eventually take his life and rob him of the chance to see the completion of his Magnum Opus. After Mozart's death, his understudy 'Franz Xaver Süssmayr', at the behest of Mozart's wife, completed the missing parts of the Requiem.
Requiem Mass was first performed on January 2, 1793, in a private concert for the benefit of Mozart's grieving wife, Constanze Mozart.
The Following are the lyrics, translated from their Original Latin
Grant them eternal rest, Lord,
and let perpetual light shine on them.
You are praised, God, in Zion,
and homage will be paid to You in Jerusalem.
Hear my prayer,
to You all flesh will come.
Grant them eternal rest, Lord,
and let perpetual light shine on them.
Lord, have mercy on us.
Christ, have mercy on us.
Lord, have mercy on us.
Day of wrath, day of anger
will dissolve the world in ashes,
as foretold by David and the Sibyl.
Great trembling there will be
when the Judge descends from heaven
to examine all things closely.
The trumpet will send its wondrous sound
throughout earth's sepulchres
and gather all before the throne.
Death and nature will be astounded,
when all creation rises again,
to answer the judgment.
A book will be brought forth,
in which all will be written,
by which the world will be judged.
When the judge takes his place,
what is hidden will be revealed,
nothing will remain unavenged.
What shall a wretch like me say?
Who shall intercede for me,
when the just ones need mercy?
King of tremendous majesty,
who freely saves those worthy ones,
save me, source of mercy.
Remember, kind Jesus,
my salvation caused your suffering;
do not forsake me on that day.
Faint and weary you have sought me,
redeemed me, suffering on the cross;
may such great effort not be in vain.
Righteous judge of vengeance,
grant me the gift of absolution
before the day of retribution.
I moan as one who is guilty:
owning my shame with a red face;
suppliant before you, Lord.
You, who absolved Mary,
and listened to the thief,
give me hope also.
My prayers are unworthy,
but, good Lord, have mercy,
and rescue me from eternal fire.
Provide me a place among the sheep,
and separate me from the goats,
guiding me to Your right hand.
When the accused are confounded,
and doomed to flames of woe,
call me among the blessed.
I kneel with submissive heart,
my contrition is like ashes,
help me in my final condition.
That day of tears and mourning,
when from the ashes shall arise,
all humanity to be judged.
Spare us by your mercy, Lord,
gentle Lord Jesus,
grant them eternal rest. Amen.
Lord Jesus Christ, King of glory,
liberate the souls of the faithful,
departed from the pains of hell
and from the bottomless pit.
Deliver them from the lion's mouth,
lest hell swallow them up,
lest they fall into darkness.
Let the standard-bearer, holy Michael,
bring them into holy light.
Which was promised to Abraham
and his descendants.
Sacrifices and prayers of praise, Lord,
we offer to You.
Receive them in behalf of those souls
we commemorate today.
And let them, Lord,
pass from death to life,
which was promised to Abraham
and his descendants.
Lamb of God, who takes away
the sins of the world,
grant them eternal rest.
Lamb of God, who takes away
the sins of the world,
Grant them eternal rest.
Lamb of God, who takes away
the sins of the world,
grant them eternal rest forever.
Let eternal light shine on them, Lord,
as with Your saints in eternity,
because You are merciful.
Grant them eternal rest, Lord,
and let perpetual light shine on them,
as with Your saints in eternity,
because You are merciful.
https://wn.com/Mozart_Requiem
Requiem Mass in D Minor
Wolfgang Amadeus Mozart's final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the passing of his young wife Anna. Mozart began his final composition in Prague, suffering from an undetermined illness, which would eventually take his life and rob him of the chance to see the completion of his Magnum Opus. After Mozart's death, his understudy 'Franz Xaver Süssmayr', at the behest of Mozart's wife, completed the missing parts of the Requiem.
Requiem Mass was first performed on January 2, 1793, in a private concert for the benefit of Mozart's grieving wife, Constanze Mozart.
The Following are the lyrics, translated from their Original Latin
Grant them eternal rest, Lord,
and let perpetual light shine on them.
You are praised, God, in Zion,
and homage will be paid to You in Jerusalem.
Hear my prayer,
to You all flesh will come.
Grant them eternal rest, Lord,
and let perpetual light shine on them.
Lord, have mercy on us.
Christ, have mercy on us.
Lord, have mercy on us.
Day of wrath, day of anger
will dissolve the world in ashes,
as foretold by David and the Sibyl.
Great trembling there will be
when the Judge descends from heaven
to examine all things closely.
The trumpet will send its wondrous sound
throughout earth's sepulchres
and gather all before the throne.
Death and nature will be astounded,
when all creation rises again,
to answer the judgment.
A book will be brought forth,
in which all will be written,
by which the world will be judged.
When the judge takes his place,
what is hidden will be revealed,
nothing will remain unavenged.
What shall a wretch like me say?
Who shall intercede for me,
when the just ones need mercy?
King of tremendous majesty,
who freely saves those worthy ones,
save me, source of mercy.
Remember, kind Jesus,
my salvation caused your suffering;
do not forsake me on that day.
Faint and weary you have sought me,
redeemed me, suffering on the cross;
may such great effort not be in vain.
Righteous judge of vengeance,
grant me the gift of absolution
before the day of retribution.
I moan as one who is guilty:
owning my shame with a red face;
suppliant before you, Lord.
You, who absolved Mary,
and listened to the thief,
give me hope also.
My prayers are unworthy,
but, good Lord, have mercy,
and rescue me from eternal fire.
Provide me a place among the sheep,
and separate me from the goats,
guiding me to Your right hand.
When the accused are confounded,
and doomed to flames of woe,
call me among the blessed.
I kneel with submissive heart,
my contrition is like ashes,
help me in my final condition.
That day of tears and mourning,
when from the ashes shall arise,
all humanity to be judged.
Spare us by your mercy, Lord,
gentle Lord Jesus,
grant them eternal rest. Amen.
Lord Jesus Christ, King of glory,
liberate the souls of the faithful,
departed from the pains of hell
and from the bottomless pit.
Deliver them from the lion's mouth,
lest hell swallow them up,
lest they fall into darkness.
Let the standard-bearer, holy Michael,
bring them into holy light.
Which was promised to Abraham
and his descendants.
Sacrifices and prayers of praise, Lord,
we offer to You.
Receive them in behalf of those souls
we commemorate today.
And let them, Lord,
pass from death to life,
which was promised to Abraham
and his descendants.
Lamb of God, who takes away
the sins of the world,
grant them eternal rest.
Lamb of God, who takes away
the sins of the world,
Grant them eternal rest.
Lamb of God, who takes away
the sins of the world,
grant them eternal rest forever.
Let eternal light shine on them, Lord,
as with Your saints in eternity,
because You are merciful.
Grant them eternal rest, Lord,
and let perpetual light shine on them,
as with Your saints in eternity,
because You are merciful.
- published: 05 Mar 2009
- views: 110188672
52:57
Mozart – Requiem (with subtitles in 20 languages – English, Español, Português, Türkçe, 中文 ... )
info https://gr.afit.pl
Turn on subtitles: Catalan, Český, Deutsch, English, Español, Français, עברי, Italiano, 日本語, 한국어, Latin, Nederlands (by Kris Van Hoof), ...
info https://gr.afit.pl
Turn on subtitles: Catalan, Český, Deutsch, English, Español, Français, עברי, Italiano, 日本語, 한국어, Latin, Nederlands (by Kris Van Hoof), Magyar, Polski, Português, Русский, Tiếng Việt, Türkçe (by Faik Uyanık), Українська, 中文.
0:00 Introitus: Requiem aeternam
4:49 Kyrie eleison
Sequenz
7:14 Dies irae
8:56 Tuba mirum
12:40 Rex tremendae
15:00 Recordare
20:40 Confutatis
22:59 Lacrimosa
Offertorium
26:30 Domine Jesu
29:54 Versus: Hostias et preces
33:54 Sanctus
35:39 Benedictus
40:55 Agnus Dei
43:56 Communio: Lux aeterna
49:30 Credits
Wolfgang Amadeus Mozart – Requiem KV 626
Bartosz Michałowski – conductor
Sylwia Olszyńska – soprano
Agata Schmidt – mezzo-soprano
Karol Kozłowski – tenor
Adam Kutny – baritone
Polish Sinfonia Iuventus Orchestra
Warsaw Philharmonic Choir
recorded November 01, 2019 at Warsaw Philharmonic Concert Hall
#Mozart #Requiem #nootnoot
https://wn.com/Mozart_–_Requiem_(With_Subtitles_In_20_Languages_–_English,_Español,_Português,_Türkçe,_中文_..._)
info https://gr.afit.pl
Turn on subtitles: Catalan, Český, Deutsch, English, Español, Français, עברי, Italiano, 日本語, 한국어, Latin, Nederlands (by Kris Van Hoof), Magyar, Polski, Português, Русский, Tiếng Việt, Türkçe (by Faik Uyanık), Українська, 中文.
0:00 Introitus: Requiem aeternam
4:49 Kyrie eleison
Sequenz
7:14 Dies irae
8:56 Tuba mirum
12:40 Rex tremendae
15:00 Recordare
20:40 Confutatis
22:59 Lacrimosa
Offertorium
26:30 Domine Jesu
29:54 Versus: Hostias et preces
33:54 Sanctus
35:39 Benedictus
40:55 Agnus Dei
43:56 Communio: Lux aeterna
49:30 Credits
Wolfgang Amadeus Mozart – Requiem KV 626
Bartosz Michałowski – conductor
Sylwia Olszyńska – soprano
Agata Schmidt – mezzo-soprano
Karol Kozłowski – tenor
Adam Kutny – baritone
Polish Sinfonia Iuventus Orchestra
Warsaw Philharmonic Choir
recorded November 01, 2019 at Warsaw Philharmonic Concert Hall
#Mozart #Requiem #nootnoot
- published: 07 Apr 2020
- views: 3639155
4:06
Mozart: Requiem – Lacrimosa | SO & GC | CM Berlin
Symphony Orchestra & Grand Choir of the Collegium Musicum Berlin
Conductor: Donka Miteva
Wolfgang A. Mozart: Requiem – Lacrimosa & Amen
newly edited and comple...
Symphony Orchestra & Grand Choir of the Collegium Musicum Berlin
Conductor: Donka Miteva
Wolfgang A. Mozart: Requiem – Lacrimosa & Amen
newly edited and completed by *Michael Ostrzyga* ( @MichaelOstrzyga )
Recorded on July 1, 2022 at Berlin Philharmonic, Germany
In the 1960s, a sketch by Mozart of an Amen Fugue surfaced. It can be assumed that it was intended for the Requiem when Mozart wrote it down: Not only is there a sketch for the Rex tremendae and the Magic Flute on the same page, written like the Requiem in 1791, but there are also striking compositional references to the Introit. Moreover, Mozart did not work on any other work during this period in which the word "Amen" appears. The arrangement of the reeds in Mozart's manuscript, as has sometimes been pointed out, does indeed leave far too little space for an extensive fugue at this point, but the exchange and insertion of further reeds was common and also occurred in Mozart's work. It is surely no coincidence that in the years immediately before his death Mozart devoted himself to Handel's Messiah, which concludes with an extended Amen fugue. For the overall architecture of the Requiem, such an Amen Fugue, roughly in the middle of the work, can form a supporting pillar which, together with the pillars at the beginning and end of the work, Kyrie and Cum sanctis tuis, forms a great arched architecture. In the Amen Fugue, which was realised for the new edition, Mozart's view of Bach is particularly evident, partly because it is also very clear in the Kyrie Fugue.
It is impossible to imagine what Mozart would have invented, or perhaps had already invented. Nevertheless, the new addition was about the thought experiment of deducing the extent and nature of Mozart's instructions from everything that exists in someone else's hand. In this way, it is possible to derive - only incompletely, hypothetically, of course - instructions for completing the Requiem as a "whole", based on Mozart's presumed intentions in the form of general procedures, melodic material, contrapuntal constellations, harmonic progressions, instrumental accompaniments, concrete borrowings from older works by Mozart or Handel and Bach, and so on. Once I had uncovered this "composing backwards", I tried to compose the Requiem forwards again, starting from the music Mozart had written up to his death and the influences he bundled in the Requiem. _~ Michael Ostrzyga_
----------------
_Under the roof of Collegium Musicum Berlin, some 450 students and staff of Freie Universität and Technische Universität are gathered to follow their shared passion for music. With most of the musicians having no professional education in music, our two orchestras, two choirs and one big band take great pride in their high level of achievement._
----------------
https://www.collegium-musicum-berlin.de
https://www.instagram.com/collegium_musicum_berlin
https://www.facebook.com/collegiummusicumberlin
#mozart #requiem #lacrimosa #berlinphilharmonic
https://wn.com/Mozart_Requiem_–_Lacrimosa_|_So_Gc_|_Cm_Berlin
Symphony Orchestra & Grand Choir of the Collegium Musicum Berlin
Conductor: Donka Miteva
Wolfgang A. Mozart: Requiem – Lacrimosa & Amen
newly edited and completed by *Michael Ostrzyga* ( @MichaelOstrzyga )
Recorded on July 1, 2022 at Berlin Philharmonic, Germany
In the 1960s, a sketch by Mozart of an Amen Fugue surfaced. It can be assumed that it was intended for the Requiem when Mozart wrote it down: Not only is there a sketch for the Rex tremendae and the Magic Flute on the same page, written like the Requiem in 1791, but there are also striking compositional references to the Introit. Moreover, Mozart did not work on any other work during this period in which the word "Amen" appears. The arrangement of the reeds in Mozart's manuscript, as has sometimes been pointed out, does indeed leave far too little space for an extensive fugue at this point, but the exchange and insertion of further reeds was common and also occurred in Mozart's work. It is surely no coincidence that in the years immediately before his death Mozart devoted himself to Handel's Messiah, which concludes with an extended Amen fugue. For the overall architecture of the Requiem, such an Amen Fugue, roughly in the middle of the work, can form a supporting pillar which, together with the pillars at the beginning and end of the work, Kyrie and Cum sanctis tuis, forms a great arched architecture. In the Amen Fugue, which was realised for the new edition, Mozart's view of Bach is particularly evident, partly because it is also very clear in the Kyrie Fugue.
It is impossible to imagine what Mozart would have invented, or perhaps had already invented. Nevertheless, the new addition was about the thought experiment of deducing the extent and nature of Mozart's instructions from everything that exists in someone else's hand. In this way, it is possible to derive - only incompletely, hypothetically, of course - instructions for completing the Requiem as a "whole", based on Mozart's presumed intentions in the form of general procedures, melodic material, contrapuntal constellations, harmonic progressions, instrumental accompaniments, concrete borrowings from older works by Mozart or Handel and Bach, and so on. Once I had uncovered this "composing backwards", I tried to compose the Requiem forwards again, starting from the music Mozart had written up to his death and the influences he bundled in the Requiem. _~ Michael Ostrzyga_
----------------
_Under the roof of Collegium Musicum Berlin, some 450 students and staff of Freie Universität and Technische Universität are gathered to follow their shared passion for music. With most of the musicians having no professional education in music, our two orchestras, two choirs and one big band take great pride in their high level of achievement._
----------------
https://www.collegium-musicum-berlin.de
https://www.instagram.com/collegium_musicum_berlin
https://www.facebook.com/collegiummusicumberlin
#mozart #requiem #lacrimosa #berlinphilharmonic
- published: 22 Apr 2023
- views: 1227344
47:26
Wolfgang Amadeus Mozart - Requiem
Requiem.
I. Introitus
00:00 Requiem aeternam
II. Kyrie
04:41 Kyrie
III. Sequentia
07:08 Dies irae
09:10 Tuba mirum
12:27 Rex tremendae
14:19 Recordare
19:18 C...
Requiem.
I. Introitus
00:00 Requiem aeternam
II. Kyrie
04:41 Kyrie
III. Sequentia
07:08 Dies irae
09:10 Tuba mirum
12:27 Rex tremendae
14:19 Recordare
19:18 Confutatis
21:48 Lacrymosa
IV. Offertorium
24:56 Domine Jesu
28:36 Hostias
V. Sanctus
32:30 Sanctus
VI. Benedictus
33:59 Benedictus
VII. Agnus Dei
38:39 Agnus Dei
VIII. Communio
42:02 Lux aeterna
-
Art: "Destruction" by Thomas Cole
-
I don't own any of the works in this video, I'm just an enthousiast.
-
If you appreciate the content and would like to support the channel, here is the link. You totally don't have to, I appreciate you in anyway for being here!
Patreon: https://www.patreon.com/temporaclassicalmusic
https://wn.com/Wolfgang_Amadeus_Mozart_Requiem
Requiem.
I. Introitus
00:00 Requiem aeternam
II. Kyrie
04:41 Kyrie
III. Sequentia
07:08 Dies irae
09:10 Tuba mirum
12:27 Rex tremendae
14:19 Recordare
19:18 Confutatis
21:48 Lacrymosa
IV. Offertorium
24:56 Domine Jesu
28:36 Hostias
V. Sanctus
32:30 Sanctus
VI. Benedictus
33:59 Benedictus
VII. Agnus Dei
38:39 Agnus Dei
VIII. Communio
42:02 Lux aeterna
-
Art: "Destruction" by Thomas Cole
-
I don't own any of the works in this video, I'm just an enthousiast.
-
If you appreciate the content and would like to support the channel, here is the link. You totally don't have to, I appreciate you in anyway for being here!
Patreon: https://www.patreon.com/temporaclassicalmusic
- published: 13 Dec 2022
- views: 2888849
2:01
Dies Irae - Mozart - Requiem - Claudio Abbado
Full concert here: http://ow.ly/Ywsex
Subscribe to our channel for more videos http://ow.ly/ugONZ
Wolfgang Amadeus Mozart - Requiem - 3. Dies Irae
The Berlin...
Full concert here: http://ow.ly/Ywsex
Subscribe to our channel for more videos http://ow.ly/ugONZ
Wolfgang Amadeus Mozart - Requiem - 3. Dies Irae
The Berliner Philharmoniker conducted by Claudio Abbado
with
the Swedish Radio Choir singer
Recorded at Salzburger Dom Cathedral, Salzburg, Austria in 1999
© EuroArts / VIDEAL/brilliant media
Follow medici.tv on:
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https://wn.com/Dies_Irae_Mozart_Requiem_Claudio_Abbado
Full concert here: http://ow.ly/Ywsex
Subscribe to our channel for more videos http://ow.ly/ugONZ
Wolfgang Amadeus Mozart - Requiem - 3. Dies Irae
The Berliner Philharmoniker conducted by Claudio Abbado
with
the Swedish Radio Choir singer
Recorded at Salzburger Dom Cathedral, Salzburg, Austria in 1999
© EuroArts / VIDEAL/brilliant media
Follow medici.tv on:
| Facebook : https://www.facebook.com/medicitv
| Twitter : https://twitter.com/medicitv
| Instagram : https://www.instagram.com/medici.tv/
Dive into the heart of classical music with medici.tv! Get closer than ever to the artists you love and have an unforgettable experience with 100+ live webcasts each year and 1,800+ videos.
A rare and exclusive selection of concerts, ballets, operas, documentaries, master classes, behind-the-scenes and interviews!
- published: 22 Dec 2012
- views: 1707820
45:26
W. A. MOZART · Requiem, d-Moll, KV 626 · Philharmonie Salzburg · Elisabeth Fuchs
W. A. MOZART · Requiem, d-Moll, KV 626
Maria Bernius · Sopran
Katrin Auzinger · Alt
Paul Schweinester · Tenor
Johannes Wimmer · Bass
Elisabeth Fuchs · Dirigent...
W. A. MOZART · Requiem, d-Moll, KV 626
Maria Bernius · Sopran
Katrin Auzinger · Alt
Paul Schweinester · Tenor
Johannes Wimmer · Bass
Elisabeth Fuchs · Dirigentin
Chor der Philharmonie Salzburg
Philharmonie Salzburg
April 2023
Großer Saal Mozarteum, Salzburg
https://wn.com/W._A._Mozart_·_Requiem,_D_Moll,_Kv_626_·_Philharmonie_Salzburg_·_Elisabeth_Fuchs
W. A. MOZART · Requiem, d-Moll, KV 626
Maria Bernius · Sopran
Katrin Auzinger · Alt
Paul Schweinester · Tenor
Johannes Wimmer · Bass
Elisabeth Fuchs · Dirigentin
Chor der Philharmonie Salzburg
Philharmonie Salzburg
April 2023
Großer Saal Mozarteum, Salzburg
- published: 03 Sep 2023
- views: 215193
1:04:48
Messa di Requiem in Re- K 626 di W. A. Mozart al Tempio della Consolazione Todi - Accademia Perusina
00:00:01 Benvenuto al pubblico di Nicoletta portavoce della Accademia Perusina e ringraziamenti alla diocesi di Orvieto-Todi 00:01:00 Saluto Leonardo Mallozzi ...
00:00:01 Benvenuto al pubblico di Nicoletta portavoce della Accademia Perusina e ringraziamenti alla diocesi di Orvieto-Todi 00:01:00 Saluto Leonardo Mallozzi Etab Todi https://etabtodi.it/contenuti/341467/tempio-consolazione-informazioni-utili 00:02:00 Saluto del Sindaco di Todi Antonio Ruggiano https://www.comune.todi.pg.it/it 00:05:00 presentazione dello sponsor https://mediazionelinguisticaperugia.it/ 00:05:35 Presentazione del Requiem in Re minore K 626 di Wolfgang Amadeus Mozart e Franz Xaver Süßmayr
Orchestra dell’Accademia Perusina composta da 30 strumentisti
Direttore d’Orchestra M° Fabio Berellini - Organo Eugenio Becchetti
Solisti Mezzo Soprano Elisabetta Pallucchi - Soprano Francesca Bruni - Basso Ferruccio Finetti -
Tenore Nicola Di Filippo - Coro dell’Accademia Perusina https://www.accademiaperusina.it/
con la partecipazione della corale Santa Cecilia di Fossato di Vico, del coro polifonico San Francesco di Assisi di Terni e con diversi membri di cori polifonici delle province di Terni e di Rieti
00:07:22 I. Introitus: Requiem aeternam (coro e soprano solo), Adagio
00:12:05 II. Kyrie (coro), Allegro
III. Sequentia
00:14:50 Dies irae (coro), Allegro assai
00:16:45 Tuba mirum (soli), Andante
00:20:30 Rex tremendae (coro), Grave
00:22:36 Recordare (soli), Andante
00:28:00 Confutatis (coro), Andante
00:30:28 Lacrimosa (coro), Larghetto
IV. Offertorium
00:33:20 Domine Jesu (soli e coro), Andante
00:37:10 Hostias (coro), Andante. Andante con moto
00:41:24 V. Sanctus (coro), Adagio
00:43:00 VI. Benedictus (soli e coro), Andante
00:48:35 VII. Agnus Dei (coro)
00:52:00 VIII. Communio: Lux aeterna (soprano e coro), Allegro. Adagio
01:00:49 Bis Dies Irae
https://wn.com/Messa_Di_Requiem_In_Re_K_626_Di_W._A._Mozart_Al_Tempio_Della_Consolazione_Todi_Accademia_Perusina
00:00:01 Benvenuto al pubblico di Nicoletta portavoce della Accademia Perusina e ringraziamenti alla diocesi di Orvieto-Todi 00:01:00 Saluto Leonardo Mallozzi Etab Todi https://etabtodi.it/contenuti/341467/tempio-consolazione-informazioni-utili 00:02:00 Saluto del Sindaco di Todi Antonio Ruggiano https://www.comune.todi.pg.it/it 00:05:00 presentazione dello sponsor https://mediazionelinguisticaperugia.it/ 00:05:35 Presentazione del Requiem in Re minore K 626 di Wolfgang Amadeus Mozart e Franz Xaver Süßmayr
Orchestra dell’Accademia Perusina composta da 30 strumentisti
Direttore d’Orchestra M° Fabio Berellini - Organo Eugenio Becchetti
Solisti Mezzo Soprano Elisabetta Pallucchi - Soprano Francesca Bruni - Basso Ferruccio Finetti -
Tenore Nicola Di Filippo - Coro dell’Accademia Perusina https://www.accademiaperusina.it/
con la partecipazione della corale Santa Cecilia di Fossato di Vico, del coro polifonico San Francesco di Assisi di Terni e con diversi membri di cori polifonici delle province di Terni e di Rieti
00:07:22 I. Introitus: Requiem aeternam (coro e soprano solo), Adagio
00:12:05 II. Kyrie (coro), Allegro
III. Sequentia
00:14:50 Dies irae (coro), Allegro assai
00:16:45 Tuba mirum (soli), Andante
00:20:30 Rex tremendae (coro), Grave
00:22:36 Recordare (soli), Andante
00:28:00 Confutatis (coro), Andante
00:30:28 Lacrimosa (coro), Larghetto
IV. Offertorium
00:33:20 Domine Jesu (soli e coro), Andante
00:37:10 Hostias (coro), Andante. Andante con moto
00:41:24 V. Sanctus (coro), Adagio
00:43:00 VI. Benedictus (soli e coro), Andante
00:48:35 VII. Agnus Dei (coro)
00:52:00 VIII. Communio: Lux aeterna (soprano e coro), Allegro. Adagio
01:00:49 Bis Dies Irae
- published: 10 Mar 2024
- views: 551
46:55
Wolfgang Amadeus Mozart - Requiem in D minor, K. 626
- Composer: Wolfgang Amadeus Mozart (27 January 1756 -- 5 December 1791)
- Orchestra: English Baroque Soloists
- Choir: Monteverdi Choir
- Conductor: John Eliot...
- Composer: Wolfgang Amadeus Mozart (27 January 1756 -- 5 December 1791)
- Orchestra: English Baroque Soloists
- Choir: Monteverdi Choir
- Conductor: John Eliot Gardiner
- Soloists: Barbara Bonney (soprano), Anne Sofie von Otter (contralto), Hans Peter Blochwitz (tenor), Willard White (bass)
- Year of recording: 1990
Requiem in D minor for soloists, chorus & orchestra, K. 626, written in 1791.
This version is the Süssmayr completion of the Requiem, with the following structure:
00:00 - I. Introitus: Requiem aeternam (choir and soprano solo)
04:44 - II. Kyrie eleison (choir)
----- III. Sequentia: (text based on sections of the Dies Irae)
07:15 - Dies irae (choir)
09:01 - Tuba mirum (soprano, contralto, tenor and bass solo)
12:09 - Rex tremendae majestatis (choir)
14:20 - Recordare, Jesu pie (soprano, contralto, tenor and bass solo)
19:02 - Confutatis maledictis (choir)
21:17 - Lacrimosa dies illa (choir)
----- IV. Offertorium:
24:05 - Domine Jesu Christe (choir with solo quartet)
27:38 - Versus: Hostias et preces (choir)
----- V. Sanctus:
31:35 - Sanctus Dominus Deus Sabaoth (choir)
32:58 - Benedictus (solo quartet, then choir)
38:12 - VI. Agnus Dei (choir)
----- VII. Communio:
41:25 - Lux aeterna (soprano solo and choir)
The Requiem was composed in Vienna in 1791 and left unfinished at the composer's death on the 5th of December. A completion dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem mass to commemorate the 14th of February anniversary of his wife's death.
The autograph manuscript shows the finished and orchestrated introit in Mozart's hand, as well as detailed drafts of the Kyrie and the sequence Dies Irae as far as the first nine bars of "Lacrimosa", and the offertory. It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, the bulk of this copy derives from the hand of Franz Süssmayr.
The Requiem contains five sections, each capped by a fugue: Requiem/Kyrie, Sequence ("Dies Irae"), Offertory, Sanctus, and Agnus Dei. Throughout, choral writing drives Mozart's music; even the four soloists rarely sing alone. The darkly colored orchestra supports the choir with often vivid motives. This pictorial aspect is most evident in the Sequence: "Tuba mirum" (solo trombone), "Rex tremendae" (regal dotted-rhythms), "Confutatis" (fiery accompaniment), and "Lachrymosa" (sighing strings). Not only do individual movements display an extraordinary level of motivic unity, Mozart carefully creates motivic relationships across the entire Requiem. The very first melody sung by the basses ("Requiem aeternam"), for instance, is repeated at the very end and also echoes throughout the work; the opening melody of "Dies irae" translates into major mode to open the "Sanctus." Mozart is never afraid, however, of acknowledging his debt to earlier traditions of church music. His fugues deliberately reference Bach, and in the first movement alone he quotes from Michael Haydn's Requiem, Handel's funeral anthem for Queen Caroline, Messiah, and the Gregorian chant known as the "Pilgrim's Tone."
https://wn.com/Wolfgang_Amadeus_Mozart_Requiem_In_D_Minor,_K._626
- Composer: Wolfgang Amadeus Mozart (27 January 1756 -- 5 December 1791)
- Orchestra: English Baroque Soloists
- Choir: Monteverdi Choir
- Conductor: John Eliot Gardiner
- Soloists: Barbara Bonney (soprano), Anne Sofie von Otter (contralto), Hans Peter Blochwitz (tenor), Willard White (bass)
- Year of recording: 1990
Requiem in D minor for soloists, chorus & orchestra, K. 626, written in 1791.
This version is the Süssmayr completion of the Requiem, with the following structure:
00:00 - I. Introitus: Requiem aeternam (choir and soprano solo)
04:44 - II. Kyrie eleison (choir)
----- III. Sequentia: (text based on sections of the Dies Irae)
07:15 - Dies irae (choir)
09:01 - Tuba mirum (soprano, contralto, tenor and bass solo)
12:09 - Rex tremendae majestatis (choir)
14:20 - Recordare, Jesu pie (soprano, contralto, tenor and bass solo)
19:02 - Confutatis maledictis (choir)
21:17 - Lacrimosa dies illa (choir)
----- IV. Offertorium:
24:05 - Domine Jesu Christe (choir with solo quartet)
27:38 - Versus: Hostias et preces (choir)
----- V. Sanctus:
31:35 - Sanctus Dominus Deus Sabaoth (choir)
32:58 - Benedictus (solo quartet, then choir)
38:12 - VI. Agnus Dei (choir)
----- VII. Communio:
41:25 - Lux aeterna (soprano solo and choir)
The Requiem was composed in Vienna in 1791 and left unfinished at the composer's death on the 5th of December. A completion dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem mass to commemorate the 14th of February anniversary of his wife's death.
The autograph manuscript shows the finished and orchestrated introit in Mozart's hand, as well as detailed drafts of the Kyrie and the sequence Dies Irae as far as the first nine bars of "Lacrimosa", and the offertory. It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, the bulk of this copy derives from the hand of Franz Süssmayr.
The Requiem contains five sections, each capped by a fugue: Requiem/Kyrie, Sequence ("Dies Irae"), Offertory, Sanctus, and Agnus Dei. Throughout, choral writing drives Mozart's music; even the four soloists rarely sing alone. The darkly colored orchestra supports the choir with often vivid motives. This pictorial aspect is most evident in the Sequence: "Tuba mirum" (solo trombone), "Rex tremendae" (regal dotted-rhythms), "Confutatis" (fiery accompaniment), and "Lachrymosa" (sighing strings). Not only do individual movements display an extraordinary level of motivic unity, Mozart carefully creates motivic relationships across the entire Requiem. The very first melody sung by the basses ("Requiem aeternam"), for instance, is repeated at the very end and also echoes throughout the work; the opening melody of "Dies irae" translates into major mode to open the "Sanctus." Mozart is never afraid, however, of acknowledging his debt to earlier traditions of church music. His fugues deliberately reference Bach, and in the first movement alone he quotes from Michael Haydn's Requiem, Handel's funeral anthem for Queen Caroline, Messiah, and the Gregorian chant known as the "Pilgrim's Tone."
- published: 26 Oct 2015
- views: 1171552