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Mozart - Requiem in D minor (Complete/Full) [HD]
55:15

Mozart - Requiem in D minor (Complete/Full) [HD]

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  • Duration: 55:15
  • Updated: 12 Feb 2012
  • views: 32486173
videos
Wolfgang Amadeus Mozart: Requiem in D minor (K.626) -- Live Version. I. Introitus: Requiem aeternam (choir with soprano solo) (0:00) II. Kyrie (choir) (5:28) III. Sequentia: - Dies irae (choir) (7:55) - Tuba mirum (solo quartet) (10:02) - Rex tremendae majestatis (choir) (13:47) - Recordare, Jesu pie (solo quartet) (16:22) - Confutatis maledictis (choir) (22:13) - Lacrimosa dies illa (choir) (24:32) * IV. Offertorium: - Domine Jesu Christe (choir with solo quartet) (27:48) - Versus: Hostias et preces (choir) (31:23) V. Sanctus & Benedictus: - Sanctus (choir) (35:46) - Benedictus (solo quartet and choir) (37:46) VI. Agnus Dei (choir) (42:50) VII. Communio: - Lux aeterna (soprano solo and choir) (46:03)
https://wn.com/Mozart_Requiem_In_D_Minor_(Complete_Full)_Hd
W. A. Mozart - Requiem (fantastic performance) [Arsys Bourgogne] [HD]
52:51

W. A. Mozart - Requiem (fantastic performance) [Arsys Bourgogne] [HD]

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  • Duration: 52:51
  • Updated: 26 Dec 2013
  • views: 7834180
videos
W. A. Mozart - Requiem (fantastic performance) [Arsys Bourgogne] [HD] 01:00 - Introitus 05:56 - Kyrie 08:19 - Dies irae 10:17 - Tuba mirum 14:05 - Rex tremendae 16:01 - Recordare 21:20 - Confutatis 23:56 - Lacrimosa 27:48 - Domine Jesu Christe 31:10 - Hostias 34:50 - Sanctus 36:36 - Benedictus 42:12 - Agnus Dei 46:21 - Lux aeterna
https://wn.com/W._A._Mozart_Requiem_(Fantastic_Performance)_Arsys_Bourgogne_Hd
mozart   requiem   karajan
56:34

mozart requiem karajan

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  • Duration: 56:34
  • Updated: 16 Apr 2011
  • views: 4182448
videos
wolfgang amadeus mozart requiem in d minor, k 626 herbert von karajan wiener philharmoniker wiener singverein 1986 anna tomowa sintow helga muller molinari vinson cole paata burchuladze 2:05 I. Introitus 7:34 II. Kyrie III. Sequentia 10:16 1. Dies irae 12:09 2. Tuba mirum 16:01 3. Rex tremendae 18:22 4. Recordare 23:32 5. Confutatis 25:54 6. Lacrimosa IV. Offertorium 29:29 1. Domine Jesu 33:22 2. Hostias 38:00 V. Sanctus 39:50 VI. Benedictus 45:30 VII. Agnus Dei 49:13 VIII. Communio thanks aveshsu for his kind care for the time listing.
https://wn.com/Mozart_Requiem_Karajan
Mozart - Requiem
8:54

Mozart - Requiem

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  • Duration: 8:54
  • Updated: 05 Mar 2009
  • views: 83171824
videos
Requiem Mass in D Minor Wolfgang Amadeus Mozart's final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the passing of his young wife Anna. Mozart began his final composition in Prague, suffering from an undetermined illness, which would eventually take his life and rob him of the chance to see the completion of his Magnum Opus. After Mozart's death, his understudy 'Franz Xaver Süssmayr', at the behest of Mozart's wife, completed the missing parts of the Requiem. Requiem Mass was first performed on January 2, 1793, in a private concert for the benefit of Mozart's grieving wife, Constanze Mozart. The Following are the lyrics, translated from their Original Latin Grant them eternal rest, Lord, and let perpetual light shine on them. You are praised, God, in Zion, and homage will be paid to You in Jerusalem. Hear my prayer, to You all flesh will come. Grant them eternal rest, Lord, and let perpetual light shine on them. Lord, have mercy on us. Christ, have mercy on us. Lord, have mercy on us. Day of wrath, day of anger will dissolve the world in ashes, as foretold by David and the Sibyl. Great trembling there will be when the Judge descends from heaven to examine all things closely. The trumpet will send its wondrous sound throughout earth's sepulchres and gather all before the throne. Death and nature will be astounded, when all creation rises again, to answer the judgment. A book will be brought forth, in which all will be written, by which the world will be judged. When the judge takes his place, what is hidden will be revealed, nothing will remain unavenged. What shall a wretch like me say? Who shall intercede for me, when the just ones need mercy? King of tremendous majesty, who freely saves those worthy ones, save me, source of mercy. Remember, kind Jesus, my salvation caused your suffering; do not forsake me on that day. Faint and weary you have sought me, redeemed me, suffering on the cross; may such great effort not be in vain. Righteous judge of vengeance, grant me the gift of absolution before the day of retribution. I moan as one who is guilty: owning my shame with a red face; suppliant before you, Lord. You, who absolved Mary, and listened to the thief, give me hope also. My prayers are unworthy, but, good Lord, have mercy, and rescue me from eternal fire. Provide me a place among the sheep, and separate me from the goats, guiding me to Your right hand. When the accused are confounded, and doomed to flames of woe, call me among the blessed. I kneel with submissive heart, my contrition is like ashes, help me in my final condition. That day of tears and mourning, when from the ashes shall arise, all humanity to be judged. Spare us by your mercy, Lord, gentle Lord Jesus, grant them eternal rest. Amen. Lord Jesus Christ, King of glory, liberate the souls of the faithful, departed from the pains of hell and from the bottomless pit. Deliver them from the lion's mouth, lest hell swallow them up, lest they fall into darkness. Let the standard-bearer, holy Michael, bring them into holy light. Which was promised to Abraham and his descendants. Sacrifices and prayers of praise, Lord, we offer to You. Receive them in behalf of those souls we commemorate today. And let them, Lord, pass from death to life, which was promised to Abraham and his descendants. Lamb of God, who takes away the sins of the world, grant them eternal rest. Lamb of God, who takes away the sins of the world, Grant them eternal rest. Lamb of God, who takes away the sins of the world, grant them eternal rest forever. Let eternal light shine on them, Lord, as with Your saints in eternity, because You are merciful. Grant them eternal rest, Lord, and let perpetual light shine on them, as with Your saints in eternity, because You are merciful.
https://wn.com/Mozart_Requiem
Claudio Abbado Conducts Requiem Mozart 16 07 1999
1:02:04

Claudio Abbado Conducts Requiem Mozart 16 07 1999

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  • Duration: 1:02:04
  • Updated: 13 Aug 2017
  • views: 32234
videos
https://wn.com/Claudio_Abbado_Conducts_Requiem_Mozart_16_07_1999
Mozart: Requiem in D minor, K626 | Gardiner
49:20

Mozart: Requiem in D minor, K626 | Gardiner

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  • Duration: 49:20
  • Updated: 15 Dec 2011
  • views: 5220342
videos https://wn.com/Mozart_Requiem_In_D_Minor,_K626_|_Gardiner
Mozart - Requiem For a Dream
4:11

Mozart - Requiem For a Dream

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  • Duration: 4:11
  • Updated: 18 Jul 2012
  • views: 1928322
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https://wn.com/Mozart_Requiem_For_A_Dream
Mozart - Lacrimosa
3:21

Mozart - Lacrimosa

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  • Duration: 3:21
  • Updated: 22 May 2008
  • views: 47403001
videos https://wn.com/Mozart_Lacrimosa
Wolfgang Amadeus Mozart - Requiem in D minor, K. 626
46:55

Wolfgang Amadeus Mozart - Requiem in D minor, K. 626

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  • Duration: 46:55
  • Updated: 26 Oct 2015
  • views: 93599
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- Composer: Wolfgang Amadeus Mozart (27 January 1756 -- 5 December 1791) - Orchestra: English Baroque Soloists - Choir: Monteverdi Choir - Conductor: John Eliot Gardiner - Soloists: Barbara Bonney (soprano), Anne Sofie von Otter (contralto), Hans Peter Blochwitz (tenor), Willard White (bass) - Year of recording: 1990 Requiem in D minor for soloists, chorus & orchestra, K. 626, written in 1791. This version is the Süssmayr completion of the Requiem, with the following structure: 00:00 - I. Introitus: Requiem aeternam (choir and soprano solo) 04:44 - II. Kyrie eleison (choir) ----- III. Sequentia: (text based on sections of the Dies Irae) 07:15 - Dies irae (choir) 09:01 - Tuba mirum (soprano, contralto, tenor and bass solo) 12:09 - Rex tremendae majestatis (choir) 14:20 - Recordare, Jesu pie (soprano, contralto, tenor and bass solo) 19:02 - Confutatis maledictis (choir) 21:17 - Lacrimosa dies illa (choir) ----- IV. Offertorium: 24:05 - Domine Jesu Christe (choir with solo quartet) 27:38 - Versus: Hostias et preces (choir) ----- V. Sanctus: 31:35 - Sanctus Dominus Deus Sabaoth (choir) 32:58 - Benedictus (solo quartet, then choir) 38:12 - VI. Agnus Dei (choir) ----- VII. Communio: 41:25 - Lux aeterna (soprano solo and choir) The Requiem was composed in Vienna in 1791 and left unfinished at the composer's death on the 5th of December. A completion dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem mass to commemorate the 14th of February anniversary of his wife's death. The autograph manuscript shows the finished and orchestrated introit in Mozart's hand, as well as detailed drafts of the Kyrie and the sequence Dies Irae as far as the first nine bars of "Lacrimosa", and the offertory. It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, the bulk of this copy derives from the hand of Franz Süssmayr. The Requiem contains five sections, each capped by a fugue: Requiem/Kyrie, Sequence ("Dies Irae"), Offertory, Sanctus, and Agnus Dei. Throughout, choral writing drives Mozart's music; even the four soloists rarely sing alone. The darkly colored orchestra supports the choir with often vivid motives. This pictorial aspect is most evident in the Sequence: "Tuba mirum" (solo trombone), "Rex tremendae" (regal dotted-rhythms), "Confutatis" (fiery accompaniment), and "Lachrymosa" (sighing strings). Not only do individual movements display an extraordinary level of motivic unity, Mozart carefully creates motivic relationships across the entire Requiem. The very first melody sung by the basses ("Requiem aeternam"), for instance, is repeated at the very end and also echoes throughout the work; the opening melody of "Dies irae" translates into major mode to open the "Sanctus." Mozart is never afraid, however, of acknowledging his debt to earlier traditions of church music. His fugues deliberately reference Bach, and in the first movement alone he quotes from Michael Haydn's Requiem, Handel's funeral anthem for Queen Caroline, Messiah, and the Gregorian chant known as the "Pilgrim's Tone."
https://wn.com/Wolfgang_Amadeus_Mozart_Requiem_In_D_Minor,_K._626
Mozart - Requiem in D minor, KV626 | Philippe Herreweghe Orchestre des Champs-Elysees
47:23

Mozart - Requiem in D minor, KV626 | Philippe Herreweghe Orchestre des Champs-Elysees

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  • Duration: 47:23
  • Updated: 13 Jun 2015
  • views: 28249
videos
Wolfgang Amadeus Mozart (1756 - 1791) Mass Requiem in D minor, KV626 01. Requiem aeternam 02. Kyrie 03. Dies irae 04. Tuba mirum 05. Rex tremendae 06. Recordare 07. Confutatis 08. Lacrimosa 09. Domine Jesu 10. Hoastias 11. Sanctus 12. Benedictus 13. Agnus Dei 14. Lux aeterna Performer: Sibylla Rubens, soprano Annette Markert, alto Ian Bostridge, tenor Hanno Müller-Brachmann, bass Philippe Herreweghe Champs Champs-Élysées La Chapelle & Collegium Vocale Royale December 1791, the final Requiem. Tired by his many voyages around Europe ever since he had been rejected in Vienna, Mozart could not find the strength to honour his promise to compose a Requiem in record time for the person who had commissioned it… He was in fact to be struck down by illness during its composition and it was his pupil Süssmayr who finished the work according to his instructions. This version remains the most convincing, for the presence and grandeur of Mozart are present everywhere - in the baroque imagination and the classical style, in the universal unrest and the sheer terror of a man alone in the face of Death. ------------------------ Artwork: The Last Supper by Giovanni Battista Tiepolo, 1745-1747
https://wn.com/Mozart_Requiem_In_D_Minor,_Kv626_|_Philippe_Herreweghe_Orchestre_Des_Champs_Elysees
Dies Irae - Mozart - Requiem - Claudio Abbado
2:01

Dies Irae - Mozart - Requiem - Claudio Abbado

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  • Duration: 2:01
  • Updated: 22 Dec 2012
  • views: 453135
videos
Full concert here: http://ow.ly/Ywsex Subscribe to our channel for more videos http://ow.ly/ugONZ Wolfgang Amadeus Mozart - Requiem - 3. Dies Irae The Berliner Philharmoniker conducted by Claudio Abbado with the Swedish Radio Choir singer Recorded at Salzburger Dom Cathedral, Salzburg, Austria in 1999 © EuroArts / VIDEAL/brilliant media Follow medici.tv on: | Facebook : https://www.facebook.com/medicitv | Twitter : https://twitter.com/medicitv | Instagram : https://www.instagram.com/medici.tv/ Dive into the heart of classical music with medici.tv! Get closer than ever to the artists you love and have an unforgettable experience with 100+ live webcasts each year and 1,800+ videos. A rare and exclusive selection of concerts, ballets, operas, documentaries, master classes, behind-the-scenes and interviews!
https://wn.com/Dies_Irae_Mozart_Requiem_Claudio_Abbado
Mozart - Requiem - Introit & Kyrie - Herreweghe
7:16

Mozart - Requiem - Introit & Kyrie - Herreweghe

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  • Duration: 7:16
  • Updated: 26 Jul 2012
  • views: 955531
videos
https://wn.com/Mozart_Requiem_Introit_Kyrie_Herreweghe
MOZART   Requiem  - LACRIMOSA -  Herbert von Karajan
5:37

MOZART Requiem - LACRIMOSA - Herbert von Karajan

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  • Duration: 5:37
  • Updated: 30 May 2010
  • views: 1199745
videos
Herbert von Karajan (5 April 1908 -- 16 July 1989) Herbert von Karajan was an Austrian orchestra and opera conductor. His obituary in The New York Times described him as "probably the world's best-known conductor and one of the most powerful figures in classical music".[1] Karajan conducted the Berlin Philharmonic orchestra for 35 years.
https://wn.com/Mozart_Requiem_Lacrimosa_Herbert_Von_Karajan
Mozart   Requiem   Karl Bohm
1:03:53

Mozart Requiem Karl Bohm

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  • Duration: 1:03:53
  • Updated: 15 Sep 2011
  • views: 1796232
videos
https://wn.com/Mozart_Requiem_Karl_Bohm
MOZART REQUIEM, SEQUENTIA (Latin - English Translation lyrics)
40:24

MOZART REQUIEM, SEQUENTIA (Latin - English Translation lyrics)

  • Order:
  • Duration: 40:24
  • Updated: 29 Jul 2012
  • views: 32285
videos
I Introtus Requiem aeternam II Kyrie III Dies Irae Tuba Mirum Rex Tremendae Recordare Confutatis Lacrimosa IV Offertorium Domine Deus Hostias V Sanctus VI Agnus Dei
https://wn.com/Mozart_Requiem,_Sequentia_(Latin_English_Translation_Lyrics)
Mozart - Requiem - Sanctus - Herreweghe
1:35

Mozart - Requiem - Sanctus - Herreweghe

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  • Duration: 1:35
  • Updated: 07 Jun 2012
  • views: 140089
videos
https://wn.com/Mozart_Requiem_Sanctus_Herreweghe
Mozart - Requiem, K 626 (complete) - Celibidache
1:06:25

Mozart - Requiem, K 626 (complete) - Celibidache

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  • Duration: 1:06:25
  • Updated: 03 Mar 2012
  • views: 309864
videos
Mozart: Requiem in D minor, K 626 I. Introitus: Requiem aeternam II. Kyrie III. Sequenz 1. Dies irae 2. Tuba mirum 3. Rex tremendae 4. Recordare 5. Confutatis 6. Lacrimosa IV. Offertorium 1. Domine Jesu 2. Hostias V. Sanctus VI. Benedictus VII. Agnus Dei VIII. Communio: Lux aeterna Caroline Petrig, Christel Borchers, Peter Straka, Matthias Hölle Philharmonischer Chor München Münchner Philharmoniker Sergiu Celibidache, conductor Rec. 1995
https://wn.com/Mozart_Requiem,_K_626_(Complete)_Celibidache
Mozart - Requiem in D minor, K. 626 [complete]
50:15

Mozart - Requiem in D minor, K. 626 [complete]

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  • Duration: 50:15
  • Updated: 31 Dec 2011
  • views: 385475
videos
The Requiem Mass in D minor (K. 626) by Wolfgang Amadeus Mozart was composed in Vienna in 1791 and left unfinished at the composer's death. A completion by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem Mass to commemorate the February 14 anniversary of his wife's death. It is one of the most enigmatic pieces of music ever composed, mostly because of the myths and controversies surrounding it, especially around how much of the piece was completed by Mozart before his death. The autograph manuscript shows the finished and orchestrated introit in Mozart's hand, as well as detailed drafts of the Kyrie and the sequence Dies Irae as far as the first nine bars of "Lacrimosa", and the offertory. It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Agnus as his own. Walsegg probably intended to pass the Requiem off as his own composition, as he is known to have done with other works. This plan was frustrated by a public benefit performance for Mozart's widow Constanze. A modern contribution to the mythology is Peter Shaffer's 1979 play Amadeus, in which the mysterious messenger with the commission is the masked Antonio Salieri who intends to claim authorship for himself. The Requiem is scored for 2 basset horns in F, 2 bassoons, 2 trumpets in D, 3 trombones (alto, tenor & bass), timpani (2 drums), violins, viola and basso continuo (cello, double bass, and organ). The vocal forces include soprano, contralto, tenor, and bass soloists and a SATB mixed choir. At the time of Mozart's death on 5 December 1791, only the opening movement (Requiem aeternam) was completed in all of the orchestral and vocal parts. The following Kyrie and most of the sequence (from Dies Irae to Confutatis) were complete only in the vocal parts and the continuo (the figured organ bass), though occasionally some of the prominent orchestral parts were briefly indicated, such as the violin part of the Confutatis and the musical bridges in the Recordare. The last movement of the sequence, the Lacrimosa, breaks off after only eight bars and was unfinished. The following two movements of the Offertorium were again partially done; the Domine Jesu Christe in the vocal parts and continuo (up until the fugue, which contains some indications of the violin part) and the Hostias in the vocal parts only. The Sussmayr completion of the Requiem is divided into fourteen movements, with the following structure: I. Introitus: Requiem aeternam (choir and soprano solo) II. Kyrie eleison (choir) III. Sequentia (text based on sections of the Dies Irae): -Dies irae (choir) -Tuba mirum (soprano, contralto, tenor and bass solo) -Rex tremendae majestatis (choir) -Recordare, Jesu pie (soprano, contralto, tenor and bass solo) -Confutatis maledictis (choir) -Lacrimosa dies illa (choir) IV. Offertorium: -Domine Jesu Christe (choir with solo quartet) -Versus: Hostias et preces (choir) V. Sanctus: -Sanctus Dominus Deus Sabaoth (choir) -Benedictus (solo quartet, then choir) VI. Agnus Dei (choir) VII. Communio: -Lux aeterna (soprano solo and choir) Mozart esteemed Handel and in 1789 he was commissioned by Baron Gottfried van Swieten to rearrange Messiah. This work likely influenced the composition of Mozart's Requiem; the Kyrie is probably based on the And with his stripes we are healed chorus from Handel's Messiah (HWV 56), since the fugato, in which Handel was a master, is the same, with only slight variations by adding ornaments on melismata. Some believe that the Introitus was inspired by Handel's Funeral Anthem for Queen Caroline (HWV 264), and some have also remarked that the Confutatis may have been inspired by Sinfonia Venezia by Pasquale Anfossi. Another possible influence may be Michael Haydn's Requiem in C minor; as the Introitus sounds rather similar to Mozart's. ----------------------------------------------------------------------------- FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/ FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2 ALSO check out these cool sites: http://musopen.org/ and http://imslp.org/wiki/ ------------------------------------------------------------------------- NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome. ------------------------------------------------------------------------------- ENJOY!!!! :D
https://wn.com/Mozart_Requiem_In_D_Minor,_K._626_Complete
Mozart - Requiem - Dies irae - Herreweghe
2:10

Mozart - Requiem - Dies irae - Herreweghe

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  • Duration: 2:10
  • Updated: 18 Jul 2012
  • views: 1617531
videos
https://wn.com/Mozart_Requiem_Dies_Irae_Herreweghe
Requiem Dies Irae - Mozart.avi
1:50

Requiem Dies Irae - Mozart.avi

  • Order:
  • Duration: 1:50
  • Updated: 24 May 2011
  • views: 544309
videos
Aproveite e confira http://todaoferta.uol.com.br/comprar/camisa-xadrez-kosmik-manga-curta-AFZIUUITOV
https://wn.com/Requiem_Dies_Irae_Mozart.Avi
Requiem de Mozart - Lacrimosa - Karl Böhm - Sinfónica de Viena
4:44

Requiem de Mozart - Lacrimosa - Karl Böhm - Sinfónica de Viena

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  • Duration: 4:44
  • Updated: 12 Jun 2008
  • views: 3331704
videos
Lacrimosa del Requiem de Mozart. Coro de la Ópera de Viena y Orquesta Sinfónica de Viena dirigida por Karl Böhm. Requiem Mass in D minor K.626 Lacrimosa Vienna Symphony Orchestra Wiener Symphoniker conducted by Karl Böhm
https://wn.com/Requiem_De_Mozart_Lacrimosa_Karl_Böhm_Sinfónica_De_Viena
Mozart - Requiem (Sir Colin Davis // Full Recording) [HQ]
54:16

Mozart - Requiem (Sir Colin Davis // Full Recording) [HQ]

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  • Duration: 54:16
  • Updated: 26 Dec 2012
  • views: 612017
videos
The legendary 1967 recording of Mozart's Requiem Performed by Helen Donath, Yvonne Minton, Ryland Davies, Gerd Nienstedt John Alldis Choir, BBC Symphony Orchestra Conducted by Sir Colin Davis 1. I. Introitus: Requiem Aeternam 2. II. Kyrie 3. III. Sequentia: Dies Irae 4. III. Sequentia: Tuba Mirum 5. III. Sequentia: Rex Tremendae Majestatis 6. III. Sequentia: Recordare 7. III. Sequentia: Confutatis 8. III. Sequentia: Lacrimosa 9. IV. Offertorium: Domine Jesu Christe 10. IV. Offertorium: Hostias 11. V. Sanctus 12. VI. Benedictus 13. VII. Angus Dei 14. VIII. Communio: Lux Aeterna 0:00 Requiem Aeternam 4:45 Kyrie 7:27 Dies Irae 9:12 Tuba Mirum 13:06 Rex Tremendae Majestatis 15:38 Recordare 22:29 Confutatis 25:41 Lacrimosa 28:48 Domine Jesu Christe 33:25 Hostias 38:15 Sanctus 40:05 Benedictus 45:02 Angus Dei 48:37 Lux Aeterna I DO NOT OWN THIS RECORDING, UPLOADED FOR THE SHEER LOVE FOR MUSIC ONLY! SUPPORT THE ARTISTS, BUY THE MUSIC! Enjoy!
https://wn.com/Mozart_Requiem_(Sir_Colin_Davis_Full_Recording)_Hq
Mozart: Requiem K 626
11:03

Mozart: Requiem K 626

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  • Duration: 11:03
  • Updated: 25 Nov 2010
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Wolfgang Amadeus Mozart: Requiem "Su hijo es el mayor compositor que jamas haya conocido." Estas fueron las palabras que Haydn dirigio a Leopold Mozart, el padre del compositor. Tambien Goethe, despues de la muerte del musico, comentó a Eckermann en sus Conversaciones que "Mozart es inlcanzable en el terreno de la musica, y Shakespeare lo es en de la poesia". Wolfgang Amadeus Mozart nacio en Salzburgo, en enero de 1756. La precocidad de su talento hizo que a los cinco años tocara el clave con rara fluidez y esbozara las primeras partituras, unas breves obras para tecla; ello determino a Leopold a organizar largas giras exhibiendo al pequeño maestro (junto a su hermana Nannerl) en las mas distinguidas cortes europeas y las principales ciudades del continente. Asi lo hallamos en 1763 en Versalles, y poco despues en Londres, donde conocio a Johann Cristian Bach. En 1765 ofrecio numerosas veladas musicales en los Paises Bajos, Paris y algunas ciudades alemanas. El prestigio le valio, tras su regreso a Salzburgo en 1768, el nombramiento de "Maestro de conciertos de la corte", un cargo honorifico. Pero su idea , o mejor, la de Leopold, era triunfar en Italia, a donde padre e hijo partieron en 1769. Ese constante trasiego, a menudo realizado en las condiciones mas deplorables , acabo minando la salud de mi maestro y todavia adolescente Wolfgang, que, entre fatigas, estreno en Milan su opera Mitridate en 1770, el año que le fue concedida la espuela de oro, una importante distincion papal (no profeso ninguna religion). Pero en 1772 un hecho iba a condicionar su trayectoria: la llegada del del principe-arzobispo Colloredo al trono de Salzburgo, con quien mantuvo una relacion tensa, violenta a veces, y que desemboco en el afincamiento de Mozart en Viena. Sin embargo, mientras estuvo en la casa paterna escribio bellisimas obras, como los cinco conciertos para violin (1775), la Serenata "Haffner" (1776) y, sobre todo, el Concierto para piano num. 9 "Jeunehomme", considerado como la primera obra plenamente "clasica" del musico. Esta produccion la alternaba con viajes constantes a Munich, Viena, Augsburgo y Mannheim, en cuya corte conocio a los mas avanzados del momento, miembros de una famosa orquesta que sirvio de modelo para toda Europa. Mozart aprendio mucho del estilo de aquellos maestros, y siempre acaricio la posibilidad de formar parte del insigne conjunto orquestal. Pero este ir y venir (cabe recordar en 1778 emprendio de nuevo el camino hacia Paris) colmo la paciencia de Colloredo, hasta que en 1781 las desavenencias propiciaron la definitiva marcha de mi maestro a Viena. Alli se caso en 1782 con Constanze Weber e inicio una etapa febril, decisiva para la historia de la musica, pues fue entonces cuando consolido el lenguaje del Clasicismo y llevo a mayores extremos los preceptos de su estimado Haydn. Debe pensarse que desde su llegada a la capital hasta su muerte, periodo en el que no transcurrieron mas de diez años, escribio alrededor de trescientas obras, entre la s que hay composiciones capitales como los conciertos para piano (sobre todo, los nums. 17, 19, 20, 21, 23, 25, 26 y 27), las sonatas para el mismo instrumento, el concierto para clarinete, las sinfonias (de las que subrayamos las relacionadas con los nums. 35, 36, 38, 40 y 41), los cuartetos de cuerda (de los que destaca una bellisima serie dedicada a Haydn), el quinteto para clarinete y diversas operas, cada una de las cuales habria bastado para granjearle la fama universal: Las bodas de Figaro, Don Giovanni, Cosi fan tutte, La clemenza di Tito y La flauta magica. Su ultima partitura es de caracter sacro: se trata de un de sus paginas mas legendarias, el Requiem, del que dejo muchas partes inacabadas. El propio Wolfgang creyo que escribia esta obra para si mismo, dada su precaria salud, en bnada favorecida por los excesos de la vida disipada que llevo y por el denotado esfuerzo que supuso tan sublime y copiosa produccion. La madrugada del 5 de diciembre de 1791 moria en Viena.
https://wn.com/Mozart_Requiem_K_626
Mozart Requiem Confutatis Maledictis
3:04

Mozart Requiem Confutatis Maledictis

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  • Duration: 3:04
  • Updated: 28 Sep 2010
  • views: 507055
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La famosa parte del Requiem incompiuto (completato da Franz Xaver Sussmayr) composto negli ultimi momenti di vita del ''Maestro'' Wolfgang Amadeus Mozart. La parte successiva al confutatis è il Lacrimosa. Confutatis Maledictis, Flammis acribus addictis, Voca me cum benedictis Oro supplex Oro supplex et acclinis, Cor contritum quasi cinis, Gere curam mei finis. Condannati i maledetti, gettati nelle vive fiamme, chiama me tra i benedetti. Prego supplice e prostrato, il cuore contrito come cenere, abbi cura della mia sorte.
https://wn.com/Mozart_Requiem_Confutatis_Maledictis
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