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Mozart - Requiem in D minor (Complete/Full) [HD]

Mozart - Requiem in D minor (Complete/Full) [HD]

  • Order:
  • Duration: 55:15
  • Updated: 12 Feb 2012
  • views: 29805511
videos
Wolfgang Amadeus Mozart: Requiem in D minor (K.626) -- Live Version. I. Introitus: Requiem aeternam (choir with soprano solo) (0:00) II. Kyrie (choir) (5:28) III. Sequentia: - Dies irae (choir) (7:55) - Tuba mirum (solo quartet) (10:02) - Rex tremendae majestatis (choir) (13:47) - Recordare, Jesu pie (solo quartet) (16:22) - Confutatis maledictis (choir) (22:13) - Lacrimosa dies illa (choir) (24:32) * IV. Offertorium: - Domine Jesu Christe (choir with solo quartet) (27:48) - Versus: Hostias et preces (choir) (31:23) V. Sanctus & Benedictus: - Sanctus (choir) (35:46) - Benedictus (solo quartet and choir) (37:46) VI. Agnus Dei (choir) (42:50) VII. Communio: - Lux aeterna (soprano solo and choir) (46:03)
https://wn.com/Mozart_Requiem_In_D_Minor_(Complete_Full)_Hd
W. A. Mozart - Requiem (fantastic performance) [Arsys Bourgogne] [HD]

W. A. Mozart - Requiem (fantastic performance) [Arsys Bourgogne] [HD]

  • Order:
  • Duration: 52:51
  • Updated: 26 Dec 2013
  • views: 4867370
videos
W. A. Mozart - Requiem (fantastic performance) [Arsys Bourgogne] [HD] 01:00 - Introitus 05:56 - Kyrie 08:19 - Dies irae 10:17 - Tuba mirum 14:05 - Rex tremendae 16:01 - Recordare 21:20 - Confutatis 23:56 - Lacrimosa 27:48 - Domine Jesu Christe 31:10 - Hostias 34:50 - Sanctus 36:36 - Benedictus 42:12 - Agnus Dei 46:21 - Lux aeterna
https://wn.com/W._A._Mozart_Requiem_(Fantastic_Performance)_Arsys_Bourgogne_Hd
mozart   requiem   karajan

mozart requiem karajan

  • Order:
  • Duration: 56:34
  • Updated: 16 Apr 2011
  • views: 3965119
videos
wolfgang amadeus mozart requiem in d minor, k 626 herbert von karajan wiener philharmoniker wiener singverein 1986 anna tomowa sintow helga muller molinari vinson cole paata burchuladze 2:05 I. Introitus 7:34 II. Kyrie III. Sequentia 10:16 1. Dies irae 12:09 2. Tuba mirum 16:01 3. Rex tremendae 18:22 4. Recordare 23:32 5. Confutatis 25:54 6. Lacrimosa IV. Offertorium 29:29 1. Domine Jesu 33:22 2. Hostias 38:00 V. Sanctus 39:50 VI. Benedictus 45:30 VII. Agnus Dei 49:13 VIII. Communio thanks aveshsu for his kind care for the time listing.
https://wn.com/Mozart_Requiem_Karajan
Mozart - Requiem

Mozart - Requiem

  • Order:
  • Duration: 8:54
  • Updated: 05 Mar 2009
  • views: 77427080
videos
Requiem Mass in D Minor Wolfgang Amadeus Mozart's final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the passing of his young wife Anna. Mozart began his final composition in Prague, suffering from an undetermined illness, which would eventually take his life and rob him of the chance to see the completion of his Magnum Opus. After Mozart's death, his understudy 'Franz Xaver Süssmayr', at the behest of Mozart's wife, completed the missing parts of the Requiem. Requiem Mass was first performed on January 2, 1793, in a private concert for the benefit of Mozart's grieving wife, Constanze Mozart. The Following are the lyrics, translated from their Original Latin Grant them eternal rest, Lord, and let perpetual light shine on them. You are praised, God, in Zion, and homage will be paid to You in Jerusalem. Hear my prayer, to You all flesh will come. Grant them eternal rest, Lord, and let perpetual light shine on them. Lord, have mercy on us. Christ, have mercy on us. Lord, have mercy on us. Day of wrath, day of anger will dissolve the world in ashes, as foretold by David and the Sibyl. Great trembling there will be when the Judge descends from heaven to examine all things closely. The trumpet will send its wondrous sound throughout earth's sepulchres and gather all before the throne. Death and nature will be astounded, when all creation rises again, to answer the judgment. A book will be brought forth, in which all will be written, by which the world will be judged. When the judge takes his place, what is hidden will be revealed, nothing will remain unavenged. What shall a wretch like me say? Who shall intercede for me, when the just ones need mercy? King of tremendous majesty, who freely saves those worthy ones, save me, source of mercy. Remember, kind Jesus, my salvation caused your suffering; do not forsake me on that day. Faint and weary you have sought me, redeemed me, suffering on the cross; may such great effort not be in vain. Righteous judge of vengeance, grant me the gift of absolution before the day of retribution. I moan as one who is guilty: owning my shame with a red face; suppliant before you, Lord. You, who absolved Mary, and listened to the thief, give me hope also. My prayers are unworthy, but, good Lord, have mercy, and rescue me from eternal fire. Provide me a place among the sheep, and separate me from the goats, guiding me to Your right hand. When the accused are confounded, and doomed to flames of woe, call me among the blessed. I kneel with submissive heart, my contrition is like ashes, help me in my final condition. That day of tears and mourning, when from the ashes shall arise, all humanity to be judged. Spare us by your mercy, Lord, gentle Lord Jesus, grant them eternal rest. Amen. Lord Jesus Christ, King of glory, liberate the souls of the faithful, departed from the pains of hell and from the bottomless pit. Deliver them from the lion's mouth, lest hell swallow them up, lest they fall into darkness. Let the standard-bearer, holy Michael, bring them into holy light. Which was promised to Abraham and his descendants. Sacrifices and prayers of praise, Lord, we offer to You. Receive them in behalf of those souls we commemorate today. And let them, Lord, pass from death to life, which was promised to Abraham and his descendants. Lamb of God, who takes away the sins of the world, grant them eternal rest. Lamb of God, who takes away the sins of the world, Grant them eternal rest. Lamb of God, who takes away the sins of the world, grant them eternal rest forever. Let eternal light shine on them, Lord, as with Your saints in eternity, because You are merciful. Grant them eternal rest, Lord, and let perpetual light shine on them, as with Your saints in eternity, because You are merciful.
https://wn.com/Mozart_Requiem
Mozart   Requiem   Karl Bohm

Mozart Requiem Karl Bohm

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  • Duration: 1:03:53
  • Updated: 15 Sep 2011
  • views: 1714967
videos
https://wn.com/Mozart_Requiem_Karl_Bohm
Mozart: Requiem in D minor, K626 | Gardiner

Mozart: Requiem in D minor, K626 | Gardiner

  • Order:
  • Duration: 49:20
  • Updated: 15 Dec 2011
  • views: 4953518
videos https://wn.com/Mozart_Requiem_In_D_Minor,_K626_|_Gardiner
Mozart - Lacrimosa

Mozart - Lacrimosa

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  • Duration: 3:21
  • Updated: 22 May 2008
  • views: 42552401
videos https://wn.com/Mozart_Lacrimosa
Dies Irae - Mozart - Requiem - Claudio Abbado

Dies Irae - Mozart - Requiem - Claudio Abbado

  • Order:
  • Duration: 2:01
  • Updated: 22 Dec 2012
  • views: 371195
videos
Full concert here: http://ow.ly/Ywsex Subscribe to our channel for more videos http://ow.ly/ugONZ Wolfgang Amadeus Mozart - Requiem - 3. Dies Irae The Berliner Philharmoniker conducted by Claudio Abbado with the Swedish Radio Choir singer Recorded at Salzburger Dom Cathedral, Salzburg, Austria in 1999 © EuroArts / VIDEAL/brilliant media | Like us on Facebook : https://www.facebook.com/medicitv | Follow us on Twitter : https://twitter.com/medicitv Medici.tv is the first classical music digital channel, offering a catalogue of over 1 500 concerts, operas, ballets and documentaries in VOD, as well as 100 live concerts each year.
https://wn.com/Dies_Irae_Mozart_Requiem_Claudio_Abbado
Claudio Abbado  - Mozart Requiem - Lacrimosa

Claudio Abbado - Mozart Requiem - Lacrimosa

  • Order:
  • Duration: 2:52
  • Updated: 24 Aug 2012
  • views: 318289
videos
More of Claudio Abbado: http://ow.ly/YwqBv Subscribe to our channel for more videos http://ow.ly/ugONZ Wolfgang Amadeus Mozart - Requiem, K. 626 - Lacrimosa Claudio Abbado, conductor with the Lucerne Festival Orchestra and the Chor des Bayerischen Rundfunks Swedish Radio Choir Concert recorded at the Lucerne Festival, on Aug. 8, 2012. ©MUSEEC/medici.tv | Like us on Facebook : https://www.facebook.com/medicitv | Follow us on Twitter : https://twitter.com/medicitv Medici.tv is the first classical music digital channel, offering a catalogue of over 1 500 concerts, operas, ballets and documentaries in VOD, as well as 100 live concerts each year.
https://wn.com/Claudio_Abbado_Mozart_Requiem_Lacrimosa
Mozart Requiem Confutatis Maledictis

Mozart Requiem Confutatis Maledictis

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  • Duration: 3:04
  • Updated: 28 Sep 2010
  • views: 441441
videos
La famosa parte del Requiem incompiuto (completato da Franz Xaver Sussmayr) composto negli ultimi momenti di vita del ''Maestro'' Wolfgang Amadeus Mozart. La parte successiva al confutatis è il Lacrimosa. Confutatis Maledictis, Flammis acribus addictis, Voca me cum benedictis Oro supplex Oro supplex et acclinis, Cor contritum quasi cinis, Gere curam mei finis. Condannati i maledetti, gettati nelle vive fiamme, chiama me tra i benedetti. Prego supplice e prostrato, il cuore contrito come cenere, abbi cura della mia sorte.
https://wn.com/Mozart_Requiem_Confutatis_Maledictis
Mozart's Requiem - 1.  Introitus

Mozart's Requiem - 1. Introitus

  • Order:
  • Duration: 5:03
  • Updated: 01 Nov 2010
  • views: 350664
videos
Part one of Mozart's Requiem: Introitus Uploaded with (near) lossless audio
https://wn.com/Mozart's_Requiem_1._Introitus
Mozart- Requiem In D Minor, K 626 - Requiem

Mozart- Requiem In D Minor, K 626 - Requiem

  • Order:
  • Duration: 6:57
  • Updated: 05 Jul 2011
  • views: 255418
videos https://wn.com/Mozart_Requiem_In_D_Minor,_K_626_Requiem
Mozart - Requiem - Dies irae - Herreweghe

Mozart - Requiem - Dies irae - Herreweghe

  • Order:
  • Duration: 2:10
  • Updated: 18 Jul 2012
  • views: 1323536
videos
https://wn.com/Mozart_Requiem_Dies_Irae_Herreweghe
Mozart: Requiem K 626

Mozart: Requiem K 626

  • Order:
  • Duration: 11:03
  • Updated: 25 Nov 2010
  • views: 1988762
videos
Wolfgang Amadeus Mozart: Requiem "Su hijo es el mayor compositor que jamas haya conocido." Estas fueron las palabras que Haydn dirigio a Leopold Mozart, el padre del compositor. Tambien Goethe, despues de la muerte del musico, comentó a Eckermann en sus Conversaciones que "Mozart es inlcanzable en el terreno de la musica, y Shakespeare lo es en de la poesia". Wolfgang Amadeus Mozart nacio en Salzburgo, en enero de 1756. La precocidad de su talento hizo que a los cinco años tocara el clave con rara fluidez y esbozara las primeras partituras, unas breves obras para tecla; ello determino a Leopold a organizar largas giras exhibiendo al pequeño maestro (junto a su hermana Nannerl) en las mas distinguidas cortes europeas y las principales ciudades del continente. Asi lo hallamos en 1763 en Versalles, y poco despues en Londres, donde conocio a Johann Cristian Bach. En 1765 ofrecio numerosas veladas musicales en los Paises Bajos, Paris y algunas ciudades alemanas. El prestigio le valio, tras su regreso a Salzburgo en 1768, el nombramiento de "Maestro de conciertos de la corte", un cargo honorifico. Pero su idea , o mejor, la de Leopold, era triunfar en Italia, a donde padre e hijo partieron en 1769. Ese constante trasiego, a menudo realizado en las condiciones mas deplorables , acabo minando la salud de mi maestro y todavia adolescente Wolfgang, que, entre fatigas, estreno en Milan su opera Mitridate en 1770, el año que le fue concedida la espuela de oro, una importante distincion papal (no profeso ninguna religion). Pero en 1772 un hecho iba a condicionar su trayectoria: la llegada del del principe-arzobispo Colloredo al trono de Salzburgo, con quien mantuvo una relacion tensa, violenta a veces, y que desemboco en el afincamiento de Mozart en Viena. Sin embargo, mientras estuvo en la casa paterna escribio bellisimas obras, como los cinco conciertos para violin (1775), la Serenata "Haffner" (1776) y, sobre todo, el Concierto para piano num. 9 "Jeunehomme", considerado como la primera obra plenamente "clasica" del musico. Esta produccion la alternaba con viajes constantes a Munich, Viena, Augsburgo y Mannheim, en cuya corte conocio a los mas avanzados del momento, miembros de una famosa orquesta que sirvio de modelo para toda Europa. Mozart aprendio mucho del estilo de aquellos maestros, y siempre acaricio la posibilidad de formar parte del insigne conjunto orquestal. Pero este ir y venir (cabe recordar en 1778 emprendio de nuevo el camino hacia Paris) colmo la paciencia de Colloredo, hasta que en 1781 las desavenencias propiciaron la definitiva marcha de mi maestro a Viena. Alli se caso en 1782 con Constanze Weber e inicio una etapa febril, decisiva para la historia de la musica, pues fue entonces cuando consolido el lenguaje del Clasicismo y llevo a mayores extremos los preceptos de su estimado Haydn. Debe pensarse que desde su llegada a la capital hasta su muerte, periodo en el que no transcurrieron mas de diez años, escribio alrededor de trescientas obras, entre la s que hay composiciones capitales como los conciertos para piano (sobre todo, los nums. 17, 19, 20, 21, 23, 25, 26 y 27), las sonatas para el mismo instrumento, el concierto para clarinete, las sinfonias (de las que subrayamos las relacionadas con los nums. 35, 36, 38, 40 y 41), los cuartetos de cuerda (de los que destaca una bellisima serie dedicada a Haydn), el quinteto para clarinete y diversas operas, cada una de las cuales habria bastado para granjearle la fama universal: Las bodas de Figaro, Don Giovanni, Cosi fan tutte, La clemenza di Tito y La flauta magica. Su ultima partitura es de caracter sacro: se trata de un de sus paginas mas legendarias, el Requiem, del que dejo muchas partes inacabadas. El propio Wolfgang creyo que escribia esta obra para si mismo, dada su precaria salud, en bnada favorecida por los excesos de la vida disipada que llevo y por el denotado esfuerzo que supuso tan sublime y copiosa produccion. La madrugada del 5 de diciembre de 1791 moria en Viena.
https://wn.com/Mozart_Requiem_K_626
mozart requiem tuba mirum

mozart requiem tuba mirum

  • Order:
  • Duration: 4:01
  • Updated: 29 Aug 2008
  • views: 507356
videos
gundula janowitz soprano christa ludwig contralto peter schreier tenor walter berry bajo karl bohm director orquesta sinfonica de viena
https://wn.com/Mozart_Requiem_Tuba_Mirum
Mozart - Requiem in D minor, K. 626 [complete]

Mozart - Requiem in D minor, K. 626 [complete]

  • Order:
  • Duration: 50:15
  • Updated: 31 Dec 2011
  • views: 368526
videos
The Requiem Mass in D minor (K. 626) by Wolfgang Amadeus Mozart was composed in Vienna in 1791 and left unfinished at the composer's death. A completion by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem Mass to commemorate the February 14 anniversary of his wife's death. It is one of the most enigmatic pieces of music ever composed, mostly because of the myths and controversies surrounding it, especially around how much of the piece was completed by Mozart before his death. The autograph manuscript shows the finished and orchestrated introit in Mozart's hand, as well as detailed drafts of the Kyrie and the sequence Dies Irae as far as the first nine bars of "Lacrimosa", and the offertory. It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Agnus as his own. Walsegg probably intended to pass the Requiem off as his own composition, as he is known to have done with other works. This plan was frustrated by a public benefit performance for Mozart's widow Constanze. A modern contribution to the mythology is Peter Shaffer's 1979 play Amadeus, in which the mysterious messenger with the commission is the masked Antonio Salieri who intends to claim authorship for himself. The Requiem is scored for 2 basset horns in F, 2 bassoons, 2 trumpets in D, 3 trombones (alto, tenor & bass), timpani (2 drums), violins, viola and basso continuo (cello, double bass, and organ). The vocal forces include soprano, contralto, tenor, and bass soloists and a SATB mixed choir. At the time of Mozart's death on 5 December 1791, only the opening movement (Requiem aeternam) was completed in all of the orchestral and vocal parts. The following Kyrie and most of the sequence (from Dies Irae to Confutatis) were complete only in the vocal parts and the continuo (the figured organ bass), though occasionally some of the prominent orchestral parts were briefly indicated, such as the violin part of the Confutatis and the musical bridges in the Recordare. The last movement of the sequence, the Lacrimosa, breaks off after only eight bars and was unfinished. The following two movements of the Offertorium were again partially done; the Domine Jesu Christe in the vocal parts and continuo (up until the fugue, which contains some indications of the violin part) and the Hostias in the vocal parts only. The Sussmayr completion of the Requiem is divided into fourteen movements, with the following structure: I. Introitus: Requiem aeternam (choir and soprano solo) II. Kyrie eleison (choir) III. Sequentia (text based on sections of the Dies Irae): -Dies irae (choir) -Tuba mirum (soprano, contralto, tenor and bass solo) -Rex tremendae majestatis (choir) -Recordare, Jesu pie (soprano, contralto, tenor and bass solo) -Confutatis maledictis (choir) -Lacrimosa dies illa (choir) IV. Offertorium: -Domine Jesu Christe (choir with solo quartet) -Versus: Hostias et preces (choir) V. Sanctus: -Sanctus Dominus Deus Sabaoth (choir) -Benedictus (solo quartet, then choir) VI. Agnus Dei (choir) VII. Communio: -Lux aeterna (soprano solo and choir) Mozart esteemed Handel and in 1789 he was commissioned by Baron Gottfried van Swieten to rearrange Messiah. This work likely influenced the composition of Mozart's Requiem; the Kyrie is probably based on the And with his stripes we are healed chorus from Handel's Messiah (HWV 56), since the fugato, in which Handel was a master, is the same, with only slight variations by adding ornaments on melismata. Some believe that the Introitus was inspired by Handel's Funeral Anthem for Queen Caroline (HWV 264), and some have also remarked that the Confutatis may have been inspired by Sinfonia Venezia by Pasquale Anfossi. Another possible influence may be Michael Haydn's Requiem in C minor; as the Introitus sounds rather similar to Mozart's. ----------------------------------------------------------------------------- FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/ FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2 ALSO check out these cool sites: http://musopen.org/ and http://imslp.org/wiki/ ------------------------------------------------------------------------- NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome. ------------------------------------------------------------------------------- ENJOY!!!! :D
https://wn.com/Mozart_Requiem_In_D_Minor,_K._626_Complete
8.Mozart's Requiem-Lacrimosa (lyrics+translation)

8.Mozart's Requiem-Lacrimosa (lyrics+translation)

  • Order:
  • Duration: 3:26
  • Updated: 13 Jun 2007
  • views: 3441519
videos
Lacrimosa (III. Sequentia) from Mozart's Requiem with Latin lyrics and English translation and my drawing. Slovak philharmonic orchestra and choir The translations are not mine, they come from CD booklet + some translations found on the internet.
https://wn.com/8.Mozart's_Requiem_Lacrimosa_(Lyrics_Translation)
Amadeus - Mozart sul letto di morte detta a Salieri il Confutatis del Requiem

Amadeus - Mozart sul letto di morte detta a Salieri il Confutatis del Requiem

  • Order:
  • Duration: 7:40
  • Updated: 22 Nov 2014
  • views: 393858
videos
Spezzone tratto dal film Amadeus di Miloš Forman (1984)
https://wn.com/Amadeus_Mozart_Sul_Letto_Di_Morte_Detta_A_Salieri_Il_Confutatis_Del_Requiem
Messa da Requiem K 626 - Wolfgang Amadeus Mozart - ( parte 1 )

Messa da Requiem K 626 - Wolfgang Amadeus Mozart - ( parte 1 )

  • Order:
  • Duration: 29:03
  • Updated: 24 Nov 2011
  • views: 33033
videos
Messa da Requiem K 626 - Wolfgang Amadeus Mozart - ( parte 1 ) 25° anno fondazione della Corale 20° Concerto d'Autunno eseguito il giorno 15 ottobre 2011 presso la Chiesa parrocchiale di Gessate - Corale di Gessate Soprano : Adriana Casartelli Contralto : Alessandra Fratelli Tenore : Sergio Rocchi Basso : Alberto Rota Orchestra sinfonica Gaetano Donizetti di Gessate Direttore: M° Costante Ronchi Direttore del coro : Cav. M° Pierangelo Pelucchi Direttore artistico : Dott. Mario Ronchi Organista : Emilio Brambilla Organo : Balbiani - Vegezzi - Bossi - anno costruzione : circa 1968
https://wn.com/Messa_Da_Requiem_K_626_Wolfgang_Amadeus_Mozart_(_Parte_1_)
Wolfgang Amadeus Mozart - Requiem [Confutatis/Lacrimosa]

Wolfgang Amadeus Mozart - Requiem [Confutatis/Lacrimosa]

  • Order:
  • Duration: 8:12
  • Updated: 24 Oct 2011
  • views: 386741
videos
Wolfgang Amadeus Mozart, compositor Requiem, Misa en Re menor, K.626: Sequentia: Confutatis (coro). Lacrimosa (coro) Symphonieorchester des Bayerischen Rundfunks Chor des Bayerischen Rundfunks dirigido por Wolfgang Seeliger Marie McLaughlin, soprano Leonard Bernstein, director © 1989
https://wn.com/Wolfgang_Amadeus_Mozart_Requiem_Confutatis_Lacrimosa
Wolfgang Amadeus Mozart - Requiem in D minor, K. 626

Wolfgang Amadeus Mozart - Requiem in D minor, K. 626

  • Order:
  • Duration: 46:55
  • Updated: 26 Oct 2015
  • views: 46229
videos
- Composer: Wolfgang Amadeus Mozart (27 January 1756 -- 5 December 1791) - Orchestra: English Baroque Soloists - Choir: Monteverdi Choir - Conductor: John Eliot Gardiner - Soloists: Barbara Bonney (soprano), Anne Sofie von Otter (contralto), Hans Peter Blochwitz (tenor), Willard White (bass) - Year of recording: 1990 Requiem in D minor for soloists, chorus & orchestra, K. 626, written in 1791. This version is the Süssmayr completion of the Requiem, with the following structure: 00:00 - I. Introitus: Requiem aeternam (choir and soprano solo) 04:44 - II. Kyrie eleison (choir) ----- III. Sequentia: (text based on sections of the Dies Irae) 07:15 - Dies irae (choir) 09:01 - Tuba mirum (soprano, contralto, tenor and bass solo) 12:09 - Rex tremendae majestatis (choir) 14:20 - Recordare, Jesu pie (soprano, contralto, tenor and bass solo) 19:02 - Confutatis maledictis (choir) 21:17 - Lacrimosa dies illa (choir) ----- IV. Offertorium: 24:05 - Domine Jesu Christe (choir with solo quartet) 27:38 - Versus: Hostias et preces (choir) ----- V. Sanctus: 31:35 - Sanctus Dominus Deus Sabaoth (choir) 32:58 - Benedictus (solo quartet, then choir) 38:12 - VI. Agnus Dei (choir) ----- VII. Communio: 41:25 - Lux aeterna (soprano solo and choir) The Requiem was composed in Vienna in 1791 and left unfinished at the composer's death on the 5th of December. A completion dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem mass to commemorate the 14th of February anniversary of his wife's death. The autograph manuscript shows the finished and orchestrated introit in Mozart's hand, as well as detailed drafts of the Kyrie and the sequence Dies Irae as far as the first nine bars of "Lacrimosa", and the offertory. It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, the bulk of this copy derives from the hand of Franz Süssmayr. The Requiem contains five sections, each capped by a fugue: Requiem/Kyrie, Sequence ("Dies Irae"), Offertory, Sanctus, and Agnus Dei. Throughout, choral writing drives Mozart's music; even the four soloists rarely sing alone. The darkly colored orchestra supports the choir with often vivid motives. This pictorial aspect is most evident in the Sequence: "Tuba mirum" (solo trombone), "Rex tremendae" (regal dotted-rhythms), "Confutatis" (fiery accompaniment), and "Lachrymosa" (sighing strings). Not only do individual movements display an extraordinary level of motivic unity, Mozart carefully creates motivic relationships across the entire Requiem. The very first melody sung by the basses ("Requiem aeternam"), for instance, is repeated at the very end and also echoes throughout the work; the opening melody of "Dies irae" translates into major mode to open the "Sanctus." Mozart is never afraid, however, of acknowledging his debt to earlier traditions of church music. His fugues deliberately reference Bach, and in the first movement alone he quotes from Michael Haydn's Requiem, Handel's funeral anthem for Queen Caroline, Messiah, and the Gregorian chant known as the "Pilgrim's Tone."
https://wn.com/Wolfgang_Amadeus_Mozart_Requiem_In_D_Minor,_K._626
Mozart: Requiem KV 626 (01/14) - Introitus: Requiem aeternam

Mozart: Requiem KV 626 (01/14) - Introitus: Requiem aeternam

  • Order:
  • Duration: 5:45
  • Updated: 17 Mar 2012
  • views: 40475
videos
"Introitus" dal Requiem in re minore KV 626 (agosto 1790 - dicembre 1791) di W.A. Mozart (1756 - 1791) - completato da Franz Xaver Süssmayr (1766 -- 1803) esecuzione tratta dal sito Mozart-tower http://www.mozart-music-system.de/mozart-turm/ Rundfunkchor Leipzig, Staatskapelle Dresden diretta da Peter Schreier soprano: Margaret Price lo spartito è disponibile sul sito del Mozarteum: http://www.nma.at/ organico: Soli (soprano, contralto, tenore, basso), coro e orchestra (archi, corni di bassetto, fagotti, trombe, tromboni, timpani e organo) L'Introitus è l'unica parte del Requiem interamente scritta da Mozart che inoltre scrisse le parti principali di Kyrie, Sequentia e Offertorium : voci del coro, soli ove presenti, linea di basso, con indicazioni di tanto in tanto del motivo melodico dell'accompagnamento nei punti in cui non potesse essere deducibile dalle altre parti. Il 10 dicembre 1791, cinque giorni dopo la morte di Mozart, alcune parti (quasi certamente Introitus e Kyrie) furono eseguite durante una funzione in suo onore organizzata dall'amico Schikaneder, con coro organo e i soli archi, nella Michaelchirche a Vienna. Costanze, vedova di Mozart, pare avesse chiesto a Joseph Leopold Eybler di completare il requiem; questi iniziò il lavoro, ma non lo finì, forse a causa del grande rispetto per la musica del suo amico Wolfgang. Costanze allora chiamò Franz Xaver Süssmayr, altro amico e allievo del marito, benché non molto convinta delle sue capacità ed egli lo completò. (notizie sulla stesura del Requiem: http://www.angelfire.com/ar/archivarius/pag626.html) "Requiem aeternam dona eis, Domine, et lux perpetua luceat eis. Te decet hymnus, Deus, in Sion, et tibi reddetur votum in Jerusalem. Exaudi orationem meam; ad te omnis caro veniet. Requiem aeternam dona eis, Domine, et lux perpetua luceat eis".
https://wn.com/Mozart_Requiem_Kv_626_(01_14)_Introitus_Requiem_Aeternam
W.A. Mozart - Sequentia (Dies Irae) Requiem

W.A. Mozart - Sequentia (Dies Irae) Requiem

  • Order:
  • Duration: 11:09
  • Updated: 11 Sep 2011
  • views: 1278996
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The Requiem Mass in D minor (K. 626) by Wolfgang Amadeus Mozart was composed in Vienna in 1791 and left unfinished at the composer's death. http://en.wikipedia.org/wiki/Requiem_%28Mozart%29 Dies Irae (Day of Wrath) is a thirteenth century Latin hymn thought to be written by Thomas of Celano (1200 - 1265). It is a medieval Latin poem characterized by its accentual stress and its rhymed lines. The metre is trochaic. The poem describes the day of judgment, the last trumpet summoning souls before the throne of God, where the saved will be delivered and the unsaved cast into eternal flames. http://en.wikipedia.org/wiki/Dies_Irae Structure of REQUIEM The Sussmayr completion of the Requiem is divided into fourteen movements, with the following structure: * I. Introitus: Requiem aeternam (choir and soprano solo) * II. Kyrie eleison (choir) * III. Sequentia (text based on sections of the Dies Irae): o Dies irae (choir) o Tuba mirum (soprano, contralto, tenor and bass solo) o Rex tremendae majestatis (choir) o Recordare, Jesu pie (soprano, contralto, tenor and bass solo) o Confutatis maledictis (choir) o Lacrimosa dies illa (choir) * IV. Offertorium: o Domine Jesu Christe (choir with solo quartet) o Versus: Hostias et preces (choir) * V. Sanctus: o Sanctus Dominus Deus Sabaoth (choir) o Benedictus (solo quartet, then choir) * VI. Agnus Dei (choir) * VII. Communio: o Lux aeterna (soprano solo and choir)
https://wn.com/W.A._Mozart_Sequentia_(Dies_Irae)_Requiem
Mozart - Requiem (two reference recordings : Karl Böhm 1971 & 1956)

Mozart - Requiem (two reference recordings : Karl Böhm 1971 & 1956)

  • Order:
  • Duration: 2:04:35
  • Updated: 21 May 2016
  • views: 19993
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Wolfgang Amadeus Mozart (1756-1791) Requiem KV 626 - 1971 version 1. Kyrie (00:02) 2. Dies Irae (09:38) 3. Sequentia_ Tuba Mirum (11:39) 4. Sequentia_ Rex Tremendae (15:57) 5. Sequentia_ Recordare (19:09) 6. Sequentia_ Confutatis (26:13) 7. Sequentia_ Lacrimosa (30:04) 8. Offertorium_ Domine Jesu Christe (34:16) 9. Offertorium_ Dominehostias (38:57) 10. Sanctus (44:04) 11. Benedictus (46:01) 12. Agnus Dei, Lux Aeterna (52:56) Sopran : Edith Mathis Alt : Julia Hamari Tenor : Wieslaw Ochman Bass : Karl Ridderbusch Wiener Staatsopernchor Organ : Hans Haselböck Wiener Philharmoniker Stéréo recording in 1971 Label : Deutsche Grammophon Requiem KV 626 - 1956 version I. Introitus: Requiem Aeternam (1:04:32) II. Kyrie Eleison (1:10:33) III. Sequentia: Dies Irae (1:13:36) Sequentia: Tuba Mirum (1:15:31) Sequentia: Rex Tremendae (1:19:29) Sequentia: Recordare (1:22:28) Sequentia: Confutatis Maledictis (1:28:47) Sequentia: Lacrimosa Dies Illa (1:32:09) IV. Offertorium: Domine Jesu Christe (1:36:11) Offertorium: Hostias Et Preces (1:40:18) V. Sanctus (1:45:23) VI. Benedictus (1:47:08) VII. Agnus Dei (1:53:27) VII. Communio: Lux Aeterna (1:57:49) Sopran : Teresa Stich-Randall Alt : Ira Malaniuk Ténor : Waldemar Kmentt Bass : Kurt Böhme Wiener Staatsopernchor Wiener Symphoniker Karl Böhm Mono recording in 1956 Label : Philips
https://wn.com/Mozart_Requiem_(Two_Reference_Recordings_Karl_Böhm_1971_1956)
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