Mozart - Requiem in D minor (Complete/Full) [HD]

Mozart - Requiem in D minor (Complete/Full) [HD]

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  • Duration: 55:15
  • Updated: 12 Feb 2012
  • views: 28977827
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Wolfgang Amadeus Mozart: Requiem in D minor (K.626) -- Live Version. I. Introitus: Requiem aeternam (choir with soprano solo) (0:00) II. Kyrie (choir) (5:28) III. Sequentia: - Dies irae (choir) (7:55) - Tuba mirum (solo quartet) (10:02) - Rex tremendae majestatis (choir) (13:47) - Recordare, Jesu pie (solo quartet) (16:22) - Confutatis maledictis (choir) (22:13) - Lacrimosa dies illa (choir) (24:32) * IV. Offertorium: - Domine Jesu Christe (choir with solo quartet) (27:48) - Versus: Hostias et preces (choir) (31:23) V. Sanctus & Benedictus: - Sanctus (choir) (35:46) - Benedictus (solo quartet and choir) (37:46) VI. Agnus Dei (choir) (42:50) VII. Communio: - Lux aeterna (soprano solo and choir) (46:03)
https://wn.com/Mozart_Requiem_In_D_Minor_(Complete_Full)_Hd
W. A. Mozart - Requiem (fantastic performance) [Arsys Bourgogne] [HD]

W. A. Mozart - Requiem (fantastic performance) [Arsys Bourgogne] [HD]

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  • Duration: 52:51
  • Updated: 26 Dec 2013
  • views: 4202240
videos
W. A. Mozart - Requiem (fantastic performance) [Arsys Bourgogne] [HD] 01:00 - Introitus 05:56 - Kyrie 08:19 - Dies irae 10:17 - Tuba mirum 14:05 - Rex tremendae 16:01 - Recordare 21:20 - Confutatis 23:56 - Lacrimosa 27:48 - Domine Jesu Christe 31:10 - Hostias 34:50 - Sanctus 36:36 - Benedictus 42:12 - Agnus Dei 46:21 - Lux aeterna
https://wn.com/W._A._Mozart_Requiem_(Fantastic_Performance)_Arsys_Bourgogne_Hd
mozart   requiem   karajan

mozart requiem karajan

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  • Duration: 56:34
  • Updated: 16 Apr 2011
  • views: 3895779
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wolfgang amadeus mozart requiem in d minor, k 626 herbert von karajan wiener philharmoniker wiener singverein 1986 anna tomowa sintow helga muller molinari vinson cole paata burchuladze 2:05 I. Introitus 7:34 II. Kyrie III. Sequentia 10:16 1. Dies irae 12:09 2. Tuba mirum 16:01 3. Rex tremendae 18:22 4. Recordare 23:32 5. Confutatis 25:54 6. Lacrimosa IV. Offertorium 29:29 1. Domine Jesu 33:22 2. Hostias 38:00 V. Sanctus 39:50 VI. Benedictus 45:30 VII. Agnus Dei 49:13 VIII. Communio thanks aveshsu for his kind care for the time listing.
https://wn.com/Mozart_Requiem_Karajan
Mozart - Requiem

Mozart - Requiem

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  • Duration: 8:54
  • Updated: 05 Mar 2009
  • views: 76123262
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Requiem Mass in D Minor Wolfgang Amadeus Mozart's final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the passing of his young wife Anna. Mozart began his final composition in Prague, suffering from an undetermined illness, which would eventually take his life and rob him of the chance to see the completion of his Magnum Opus. After Mozart's death, his understudy 'Franz Xaver Süssmayr', at the behest of Mozart's wife, completed the missing parts of the Requiem. Requiem Mass was first performed on January 2, 1793, in a private concert for the benefit of Mozart's grieving wife, Constanze Mozart. The Following are the lyrics, translated from their Original Latin Grant them eternal rest, Lord, and let perpetual light shine on them. You are praised, God, in Zion, and homage will be paid to You in Jerusalem. Hear my prayer, to You all flesh will come. Grant them eternal rest, Lord, and let perpetual light shine on them. Lord, have mercy on us. Christ, have mercy on us. Lord, have mercy on us. Day of wrath, day of anger will dissolve the world in ashes, as foretold by David and the Sibyl. Great trembling there will be when the Judge descends from heaven to examine all things closely. The trumpet will send its wondrous sound throughout earth's sepulchres and gather all before the throne. Death and nature will be astounded, when all creation rises again, to answer the judgment. A book will be brought forth, in which all will be written, by which the world will be judged. When the judge takes his place, what is hidden will be revealed, nothing will remain unavenged. What shall a wretch like me say? Who shall intercede for me, when the just ones need mercy? King of tremendous majesty, who freely saves those worthy ones, save me, source of mercy. Remember, kind Jesus, my salvation caused your suffering; do not forsake me on that day. Faint and weary you have sought me, redeemed me, suffering on the cross; may such great effort not be in vain. Righteous judge of vengeance, grant me the gift of absolution before the day of retribution. I moan as one who is guilty: owning my shame with a red face; suppliant before you, Lord. You, who absolved Mary, and listened to the thief, give me hope also. My prayers are unworthy, but, good Lord, have mercy, and rescue me from eternal fire. Provide me a place among the sheep, and separate me from the goats, guiding me to Your right hand. When the accused are confounded, and doomed to flames of woe, call me among the blessed. I kneel with submissive heart, my contrition is like ashes, help me in my final condition. That day of tears and mourning, when from the ashes shall arise, all humanity to be judged. Spare us by your mercy, Lord, gentle Lord Jesus, grant them eternal rest. Amen. Lord Jesus Christ, King of glory, liberate the souls of the faithful, departed from the pains of hell and from the bottomless pit. Deliver them from the lion's mouth, lest hell swallow them up, lest they fall into darkness. Let the standard-bearer, holy Michael, bring them into holy light. Which was promised to Abraham and his descendants. Sacrifices and prayers of praise, Lord, we offer to You. Receive them in behalf of those souls we commemorate today. And let them, Lord, pass from death to life, which was promised to Abraham and his descendants. Lamb of God, who takes away the sins of the world, grant them eternal rest. Lamb of God, who takes away the sins of the world, Grant them eternal rest. Lamb of God, who takes away the sins of the world, grant them eternal rest forever. Let eternal light shine on them, Lord, as with Your saints in eternity, because You are merciful. Grant them eternal rest, Lord, and let perpetual light shine on them, as with Your saints in eternity, because You are merciful.
https://wn.com/Mozart_Requiem
Mozart: Requiem in D minor, K626 | Gardiner

Mozart: Requiem in D minor, K626 | Gardiner

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  • Duration: 49:20
  • Updated: 15 Dec 2011
  • views: 4783957
videos https://wn.com/Mozart_Requiem_In_D_Minor,_K626_|_Gardiner
Mozart   Requiem   Karl Bohm

Mozart Requiem Karl Bohm

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  • Duration: 1:03:53
  • Updated: 15 Sep 2011
  • views: 1689474
videos
https://wn.com/Mozart_Requiem_Karl_Bohm
Mozart - Lacrimosa

Mozart - Lacrimosa

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  • Duration: 3:21
  • Updated: 22 May 2008
  • views: 39688731
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stupenda...
https://wn.com/Mozart_Lacrimosa
Wolfgang Amadeus Mozart - Requiem | Vienna Philharmonic Orchestra, Herbert von Karajan

Wolfgang Amadeus Mozart - Requiem | Vienna Philharmonic Orchestra, Herbert von Karajan

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  • Duration: 52:18
  • Updated: 06 Dec 2014
  • views: 86396
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Wolfgang Amadeus Mozart (27.I.1756 – 5.XII.1791) - Requiem in D minor for Soloists, Chorus & Orchestra, K. 626 (Missa defunctorum), was composed in Vienna in 1791 and left Unfinished at the composer's death on December 5. A completion dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a Requiem Mass to commemorate the February 14 anniversary of his wife's death. Parts/Movements: 00:00 I. Introitus | Requiem aeternam 05:24 II. Kyrie 08:03 III. Sequentia | Dies Irae 09:57 III. Sequentia | Tuba mirum 13:50 III. Sequentia | Rex tremendae majestis 16:11 III. Sequentia | Recordare, Jesus pie 21:22 III. Sequentia | Confutatis maledictis 23:45 III. Sequentia | Lacrimosa dies illa 26:55 IV. Offertorium | Domine Jesu Christe 30:45 IV. Offertorium | Hostias et preces 35:18 V. Sanctus | Sanctus Dominus Deus Sabaoth 37:10 V. Sanctus | Benedictus 42:38 VI. Agnus Dei 46:18 VII. Communio | Lux Aeterna Live Performance http://youtu.be/ia8ceqIDSJw?t=54s Anna Tomowa-Sintow, soprano; Helga Müller-Molinari, contralto; Vinson Cole, tenor, Paata Burchuladze, bass. Wiener Singverein, Helmuth Froschauer, Chorus Master. Wiener Philharmoniker, Herbert von Karajan. Wien, Musikverein, Grosser Saal, May, 1986. Karajan Gold Collection. Deutsche Grammophon, 1987. E.T.A. Hoffmann once wrote that "[Mozart's] Requiem is the sublimest achievement that the modern period has contributed to the church." Mozart's deathbed composition held a high appeal for the nineteenth century; in the supposedly more rational twentieth, it ascended to truly iconic status. It did so despite fundamental mysteries of its composition and even its authenticity, mysteries still unsolved in the twenty-first century. Something in the music's gravitas and subtlety touches each successive generation. A tangled skein of myths and fairy tales imagine the deathbed genius collapsing upon his manuscript, but many facts about the piece are clear. The Requiem K. 626 is known to have been commissioned by a third party, albeit one who wanted his identity to be kept a secret. The Count Walsegg commissioned a Requiem mass from Mozart via a clerk (the "Grey Messenger" of Requiem-mythology). Mozart accepted the job for his unknown patron, having desired to compose some "higher form of church music" (his Ave verum corpus reflects the same wish). For Mozart, the summer of 1791 was a particularly productive time. Not until the Autumn was he able to make a start on the Requiem. He spent the month of October sketching out large sections of it, some of which he also instrumented. But then he fell gravely ill and was unable to complete the work. Since Count Walsegg, was unwilling to pay for an unfinished piece, Constanze did everything in her power to ensure that the score was completed and approached not only her late husband’s pupil, Franz Xaver Süssmayr, but also a number of other composers with whom Mozart had been friendly. All of them were asked to undertake the by no means straightforward task of completing the score. The Count eventually received a complete Requiem, which he tried to pass off as his own composition; the bulk of this copy derives from the hand of Franz Süssmayr. Scholars have diligently attempted to distinguish Mozart's work from Süssmayr's mishandling of his intentions. In the 20th century, too, there were several attempts to produce a performing version that was sensitive to the surviving score. Mozart's Requiem contains five sections, each capped by a fugue: Requiem/Kyrie, Sequence ("Dies Irae"), Offertory, Sanctus, and Agnus Dei. Throughout, choral writing drives Mozart's music; even the four soloists rarely sing alone. The darkly colored orchestra supports the choir with often vivid motives. This pictorial aspect is most evident in the Sequence: "Tuba mirum" (solo trombone), "Rex tremendae" (regal dotted-rhythms), "Confutatis" (fiery accompaniment), and "Lachrymosa" (sighing strings). Not only do individual movements display an extraordinary level of motivic unity, Mozart carefully creates motivic relationships across the entire Requiem. The very first melody sung by the basses ("Requiem aeternam"), for instance, is repeated at the very end and also echoes throughout the work; the opening melody of "Dies irae" translates into major mode to open the "Sanctus." Mozart is never afraid, however, of acknowledging his debt to earlier traditions of church music. His fugues deliberately reference Bach, and in the first movement alone he quotes from Michael Haydn's Requiem, Handel's funeral anthem for Queen Caroline, Messiah, and the Gregorian chant known as the "Pilgrim's Tone."
https://wn.com/Wolfgang_Amadeus_Mozart_Requiem_|_Vienna_Philharmonic_Orchestra,_Herbert_Von_Karajan
Requiem Mass in D minor - Lacrimosa

Requiem Mass in D minor - Lacrimosa

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  • Duration: 3:03
  • Updated: 26 Oct 2008
  • views: 1211317
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Requiem Mass in D minor, KV 626 - Lacrimosa. Wolfgang Amadeus Mozart Mozart's Requiem is his last work, written right up to his death in late 1791. It was completed by his pupil, Franz Xaver Süssmayr, and it is this version that is best known today, much due to its authenticity. The Lacrimosa from the Requiem is the last piece of music Mozart put down to paper. Only the opening eight bars were written by Mozart, but this sublime music was enough of a lead for Süssmayr to complete the Lacrimosa effectively, with what I consider to be a seamless job (though no one knows what greater things Mozart no doubt would have had planned for it). Here is the completed Lacrimosa; written by a man who knew his death was nigh, and who had the skill to express this through music, the material is chillingly beautiful, tragic and eternal.
https://wn.com/Requiem_Mass_In_D_Minor_Lacrimosa
W.A. Mozart - Sequentia (Dies Irae) Requiem

W.A. Mozart - Sequentia (Dies Irae) Requiem

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  • Duration: 11:09
  • Updated: 11 Sep 2011
  • views: 1249520
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The Requiem Mass in D minor (K. 626) by Wolfgang Amadeus Mozart was composed in Vienna in 1791 and left unfinished at the composer's death. http://en.wikipedia.org/wiki/Requiem_%28Mozart%29 Dies Irae (Day of Wrath) is a thirteenth century Latin hymn thought to be written by Thomas of Celano (1200 - 1265). It is a medieval Latin poem characterized by its accentual stress and its rhymed lines. The metre is trochaic. The poem describes the day of judgment, the last trumpet summoning souls before the throne of God, where the saved will be delivered and the unsaved cast into eternal flames. http://en.wikipedia.org/wiki/Dies_Irae Structure of REQUIEM The Sussmayr completion of the Requiem is divided into fourteen movements, with the following structure: * I. Introitus: Requiem aeternam (choir and soprano solo) * II. Kyrie eleison (choir) * III. Sequentia (text based on sections of the Dies Irae): o Dies irae (choir) o Tuba mirum (soprano, contralto, tenor and bass solo) o Rex tremendae majestatis (choir) o Recordare, Jesu pie (soprano, contralto, tenor and bass solo) o Confutatis maledictis (choir) o Lacrimosa dies illa (choir) * IV. Offertorium: o Domine Jesu Christe (choir with solo quartet) o Versus: Hostias et preces (choir) * V. Sanctus: o Sanctus Dominus Deus Sabaoth (choir) o Benedictus (solo quartet, then choir) * VI. Agnus Dei (choir) * VII. Communio: o Lux aeterna (soprano solo and choir)
https://wn.com/W.A._Mozart_Sequentia_(Dies_Irae)_Requiem
Mozart - Requiem (Sir Colin Davis // Full Recording) [HQ]

Mozart - Requiem (Sir Colin Davis // Full Recording) [HQ]

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  • Duration: 54:16
  • Updated: 26 Dec 2012
  • views: 559854
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The legendary 1967 recording of Mozart's Requiem Performed by Helen Donath, Yvonne Minton, Ryland Davies, Gerd Nienstedt John Alldis Choir, BBC Symphony Orchestra Conducted by Sir Colin Davis 1. I. Introitus: Requiem Aeternam 2. II. Kyrie 3. III. Sequentia: Dies Irae 4. III. Sequentia: Tuba Mirum 5. III. Sequentia: Rex Tremendae Majestatis 6. III. Sequentia: Recordare 7. III. Sequentia: Confutatis 8. III. Sequentia: Lacrimosa 9. IV. Offertorium: Domine Jesu Christe 10. IV. Offertorium: Hostias 11. V. Sanctus 12. VI. Benedictus 13. VII. Angus Dei 14. VIII. Communio: Lux Aeterna 0:00 Requiem Aeternam 4:45 Kyrie 7:27 Dies Irae 9:12 Tuba Mirum 13:06 Rex Tremendae Majestatis 15:38 Recordare 22:29 Confutatis 25:41 Lacrimosa 28:48 Domine Jesu Christe 33:25 Hostias 38:15 Sanctus 40:05 Benedictus 45:02 Angus Dei 48:37 Lux Aeterna I DO NOT OWN THIS RECORDING, UPLOADED FOR THE SHEER LOVE FOR MUSIC ONLY! SUPPORT THE ARTISTS, BUY THE MUSIC! Enjoy!
https://wn.com/Mozart_Requiem_(Sir_Colin_Davis_Full_Recording)_Hq
Mozart - Requiem - Dies irae - Herreweghe

Mozart - Requiem - Dies irae - Herreweghe

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  • Duration: 2:10
  • Updated: 18 Jul 2012
  • views: 1232058
videos
https://wn.com/Mozart_Requiem_Dies_Irae_Herreweghe
Amadeus - Mozart sul letto di morte detta a Salieri il Confutatis del Requiem

Amadeus - Mozart sul letto di morte detta a Salieri il Confutatis del Requiem

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  • Duration: 7:40
  • Updated: 22 Nov 2014
  • views: 358407
videos
Spezzone tratto dal film Amadeus di Miloš Forman (1984)
https://wn.com/Amadeus_Mozart_Sul_Letto_Di_Morte_Detta_A_Salieri_Il_Confutatis_Del_Requiem
Mozart Requiem Confutatis Maledictis

Mozart Requiem Confutatis Maledictis

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  • Duration: 3:04
  • Updated: 28 Sep 2010
  • views: 423962
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La famosa parte del Requiem incompiuto (completato da Franz Xaver Sussmayr) composto negli ultimi momenti di vita del ''Maestro'' Wolfgang Amadeus Mozart. La parte successiva al confutatis è il Lacrimosa. Confutatis Maledictis, Flammis acribus addictis, Voca me cum benedictis Oro supplex Oro supplex et acclinis, Cor contritum quasi cinis, Gere curam mei finis. Condannati i maledetti, gettati nelle vive fiamme, chiama me tra i benedetti. Prego supplice e prostrato, il cuore contrito come cenere, abbi cura della mia sorte.
https://wn.com/Mozart_Requiem_Confutatis_Maledictis
Wolfgang Amadeus Mozart - Requiem [Confutatis/Lacrimosa]

Wolfgang Amadeus Mozart - Requiem [Confutatis/Lacrimosa]

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  • Duration: 8:12
  • Updated: 24 Oct 2011
  • views: 365343
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Wolfgang Amadeus Mozart, compositor Requiem, Misa en Re menor, K.626: Sequentia: Confutatis (coro). Lacrimosa (coro) Symphonieorchester des Bayerischen Rundfunks Chor des Bayerischen Rundfunks dirigido por Wolfgang Seeliger Marie McLaughlin, soprano Leonard Bernstein, director © 1989
https://wn.com/Wolfgang_Amadeus_Mozart_Requiem_Confutatis_Lacrimosa
Dies Irae - Mozart - Requiem - Claudio Abbado

Dies Irae - Mozart - Requiem - Claudio Abbado

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  • Duration: 2:01
  • Updated: 22 Dec 2012
  • views: 349286
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Full concert here: http://ow.ly/Ywsex Subscribe to our channel for more videos http://ow.ly/ugONZ Wolfgang Amadeus Mozart - Requiem - 3. Dies Irae The Berliner Philharmoniker conducted by Claudio Abbado with the Swedish Radio Choir singer Recorded at Salzburger Dom Cathedral, Salzburg, Austria in 1999 © EuroArts / VIDEAL/brilliant media | Like us on Facebook : https://www.facebook.com/medicitv | Follow us on Twitter : https://twitter.com/medicitv Medici.tv is the first classical music digital channel, offering a catalogue of over 1 500 concerts, operas, ballets and documentaries in VOD, as well as 100 live concerts each year.
https://wn.com/Dies_Irae_Mozart_Requiem_Claudio_Abbado
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